Jun. 11th, 2016

pedanther: (cheerful)
1. The opening night of Oliver! went well, though not without a few hiccups.

We got the feature photo on the front page of the Saturday paper, and more photos inside accompanied by a basic write-up. No review; the chap who's been covering the theatre beat for the local paper has moved on (which is a pity, because he wrote proper reviews and I was looking forward to seeing what he made of it), so the paper only sent a photographer to the dress-and-press and then had someone back at the office write the accompaniment for the photos. Which may explain how they managed to relocate the show to a different theatre a fair way across town from the one it's actually in...


2. I recently rewatched "Curious Jarod", which has always been one of my favourite episodes of The Pretender. It still is, but this time around it struck me that it was an example of one of the patterns that the Bechdel Test exists to encourage awareness of. It has an unusually large number of female characters for an episode of The Pretender, in a range of ages, ethnicities, and social positions -- and not once do we see any of them interact with each other, even the ones who are said to be co-workers or otherwise have interacted off-screen. They're all on separate spokes off the hub of the male lead character. By contrast, most of the male characters in the episode have at least one conversation with at least one other male character who isn't the lead.


3. In other old TV news, I've finished watching my way through the World War II-set drama series Enemy at the Door, which I got on DVD after [livejournal.com profile] lost_spook posted about it. I enjoyed it a lot, if "enjoyed" is the right word for a series which is all about moral dilemmas and compromises and features a large number of unhappy endings.

Since I raised the subject already, I can't remember whether it passed the Bechdel Test; there are a fair number of female characters, and they often have conversations with each other, but the ones that come to mind are about husbands or sons or boyfriends. But it does pass [livejournal.com profile] capriuni's disability representation test: one of the recurring characters, Helen Porteous, is in a wheelchair, and although the initial impetus for introducing her is clearly to give her son someone to worry about, she's depicted as a character in her own right, with her own wants and needs that never include the stock disabled character motivations of Death, Revenge, or Cure.


4. For anyone who might be interested, Kim Newman's next book has been announced as Angels of Music, a 19th-century take-off of Charlie's Angels with the Paris Opera Ghost as Charlie, the daroga as Bosley, and a line-up of Angels that includes Christine DaaƩ, Trilby O'Ferrall, and Irene Adler. It will presumably incorporate in some fashion the short story with that premise Newman wrote a while back, in which the Angels of Music were pitted against the Countess Cagliostro and an army of Dr CoppƩlius's mechanical dolls.


5. And in what seems to be becoming a tradition, another recommendation for Batman fic from the usual source: Reviving a Tomb, in which Selina Kyle meets Bruce Wayne and Batman meets Catwoman.

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