moon_custafer: sexy bookshop mnager Dorothy Malone (Acme Bookshop)
moon_custafer ([personal profile] moon_custafer) wrote2025-05-27 02:48 pm
Entry tags:

Late May Links and Stuff

Film Noir fanfic vignettes, everybody! (mostly for I Wake Up Screaming)

I seem to be drifting into an obsession with Lionel Bart. Here’s a clip of him in the 1970s visiting the Stratford East Theatre Royal. Having seen a few other photos and clips, the man had a sincere commitment to Hats.

Enjoyed Albert Finney enough in The Green Man that I went looking for Dennis Potter’s Karaoke in which Finney is the protagonist and probable author stand-in (he’s also in the sequel, Cold Lazarus, but it sounds like he’s mostly a frozen head in that one). Accidentally watched the third episode first, which was confusing—I’d a general idea of the plot from the Wikipedia entry, but I was starting to think “oh, so it starts near the end and then tells the story in flashback” and then I kept waiting for the flashback to start. Went back, found the first episode and watched that, which made more sense; although I’m now withdrawing at least half of the sympathy I felt for Richard E. Grant’s character after his beating in Episode Three. Have also decided not to watch this ne with Andrew as there’s at least plot points that would likely be triggery for him.

Have a terrible feeling I’m going to have to read John O’Hara’s Appointment in Samarra for research purposes-– I mentioned in the latest chapter of Gentleman of the Shade that Eddy acted in a movie adaptation – it was just sort of a throwaway bit, but Mel speculated that Lambkin is going to track the movie down and watch it, and y’know, she’s right.

Have risked starting a new novel, well, multi-chapter original fic, anyway; two chapters posted so far: WWMBD

Just two totally normal men from the 1930s who are definitely not any of the Marx Brothers.


A propos of nothing in particular: 'When That Man Is Dead and Gone.'

skygiants: shiny metal Ultraman with a Colonel Sanders beard and crown (yes minister)
skygiants ([personal profile] skygiants) wrote2025-05-27 07:39 am

(no subject)

I've had great luck in the past with the sort of kdrama in which an angry immortal supernatural woman has to hang out in contemporary Seoul with a nice mortal boy. We were hoping The Judge From Hell would be that sort of kdrama, and, technically, it is; I think in its heart it would love to be Hotel del Luna. Unfortunately, it has also decided that what it wants to be is a violent revenge fantasy with incoherent and punitive ethics. Interspersed with wacky shenanigans! and a healthy dose of Catholicism?

Okay, so the premise: our heroine is Justitia, the DEMON JUDGE of the UNDERWORLD, THIRD IN LINE to the THRONE OF HELL, whose job is to sentence unrepentant murderers to unending torments. However, when a nice young judge gets murdered and accidentally ends up in her domain instead of the lesser hell where she belongs, Justitia refuses to listen to her pleas of innocence, gets ready to sentence her anyway, and promptly gets her wrist slapped by her superiors: she's gotten complacent! Time to go to Earth, wearing the body of the dead judge, and learn! about JUSTICE!!!

Given that Justitia's initial mistake involved accidentally sentencing an innocent person, you might be forgiven for thinking that Justitia's job on Earth might involve perhaps getting justice for the wrongly accused, or learning to temper justice with mercy and a little bit of nuance, or even uncovering faults and corruption within the justice system as it exists. haha! no. Justitia's job is to hit a quota of Unrepentent, Unforgiven Murderers On Earth and sentence them to unending torment, just like in her day job. She does this by chasing them around a sequence of nightmare scenarios that mimic the things they have done to their victims and beating them up, then stamping them on the forehead with a little stamp that says GEHENNA while then the doors of hell open and an ominous voice roars GEHENNA!!!! and they get sucked into hell. We did not enjoy the excruciating sequences of murderers being chased around a sequence of nightmare scenarios that mimicked the things they had done to their victims, which the show obviously wants us to find cathartic and satisfying. We did enjoy the ominous voice that roared GEHENNA!!!! It made us laugh every time.

this got long but tbh not as long as it could have been. this show was so incoherent )
mific: Sepia pic john sheppard and rodney mckay leaning heads together, serious (McShep - intense)
mific ([personal profile] mific) wrote in [community profile] fancake2025-05-27 03:29 pm

SGA: How the Millers Relaxed and Learned to Love Rodney by sardonicsmiley

Fandom: Stargate Atlantis
Characters/Pairings: John Sheppard/Rodney McKay, Jeannie Miller, Kaleb Miller, Madison Miller
Rating: Teen
Length: 5753
Content Notes: no AO3 warnings apply
Creator Links: sardonicsmiley on AO3
Themes: Angst with a happy ending, Family, Established relationship

Summary: Sooner or later, Rodney just gets under your skin.

Reccer's Notes:
The angst in this one isn't romantic, as John and Rodney's relationship (shown indirectly) is solid. No, this is about the fraught relationship Rodney has with his sister, Jeannie, who often gives him a hard time in canon and teases or belittles him. In this story we see a series of visits back to Earth where John and Rodney stay at Jeannie's, with John increasingly fed up with how Jeannie treats Rodney and finally letting her know. There's some very nice steely-eyed John here, and Rodney is both a BAMF and absolutely there for his family. The ending is happy, with Jeannie finally fully supportive in return. A great read.

Fanwork Links: How the Millers Relaxed and Learned to Love Rodney (With A Little Help from John Sheppard)

igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
Igenlode Wordsmith ([personal profile] igenlode) wrote2025-05-26 07:01 pm
Entry tags:

Soviet Athos verses

YouTube just bestowed upon me a recording of the poem by Venjiamin Smekhov (who played Athos) that showed up in the background soundtrack to one of the many, many Russian-language documentaries I have been watching recently about the making of "D'Artagnan and the Three Musketeers", the actors involved, and various other subjects ;-) I remember being impressed at the time because it only very gradually started to dawn on me that the voiceover at that point was in poetry: there are precious few people who can 'speak verse' and make it sound so entirely natural that you only realise they are doing it when things keep starting to rhyme! Smekhov in particular really does have a beautiful stage-trained voice, as all the fans (and in Russia there are still a lot of them) kept saying. It's what you would describe as 'Shakespearian' training when talking about English actors, but I don't know what the Russian equivalent would be; whether they actually have classical verse plays, as the French do (Pushkin maybe?)

Anyway, I heard this poem drifting past in the middle of a half-hour documentary and couldn't make out much of it apart from the fact that it probably wasn't entirely serious (and was likely to have been written by Smekhov himself, whom I had heard writes verses), and involved a lot of things 'flying' in all directions, musketeers included :-D And then a couple of weeks later YouTube suddenly decided to bestow on me unprompted a video of Smekhov actually reading it out to his fellow cast-members... *with* on-screen subtitles, so that I could actually interpret what it said.

https://youtube.com/shorts/XYlxuqXFaMY
thisbluespirit: (margaret lockwood)
thisbluespirit ([personal profile] thisbluespirit) wrote2025-05-26 10:35 am

Belated watching post

I found this sitting in my posts in progress from March, about what I'd been watching at the time, or some of it. I obtained the two small pieces of info it was lacking and have otherwise posted as-is, so it's probably fairly babbly, but I feel it is better to post than not to post. (At least with random mostly-complete media posts, that is.)

The Ghost Camera (1933) This was recced to me ages ago by [personal profile] sovay and I managed to snag it in passing on TalkingPictures TV, but then failed to watch it. (I have issues with watching all sorts of things still for reasons that are too stupid and annoying to go into, but they are all basically the Chronic Fatigue Syndrome being a pain.) But then, [personal profile] liadt sent me it on DVD as well! So having been recced it twice by two people who know what's what when it comes to elderly film and suchlike, I had to eventually consider putting it in the dvd player and watching it.

Anyway, as I mentioned before, I really enjoyed it! It was sweet and fun. The internet tells me it was an unexpectedly good 'Quota Quickie' and it is. A nerdy scientist accidentally acquires a camera with a dangerous set of photos inside it, develops them and sets out, while being dogged by the criminals who want it, to find out whose camera it is - starting with finding the woman in one of the photos. It's engaging, the hero is charmingly atypical and shy, and it really does do some cool things with experimental camera angles and techniques, some of which almost even come across like handheld camera in places.

It's very early UK film, so it doesn't have the polish that a lot of the US ones had acquired by even this point, but if you like old films, this is a fun and interesting one.


Dope Girls (BBC) s1 I've only watched half of this because it was too much for me, but I neverthless watched that much, because it looked fascinating and different and the sort of thing I would be all over if it wasn't so much about crime. I'm hopeless when people in fictonal things are routinely committing crimes, and this is very violent, lots of 'rave' type shooting of scenes, none of which I can cope with. Saying I watched it, given how much I used the skip 10s button is probably an exaggeration BUT it's really beautifully made and it's about women immediately post WWI, based on a true story of a woman who set up a Soho nightclub (given value of 'true' no doubt varies in the show). The series also follows her illegitimate mixed race daughter Billie, a dancer, her legitimate teenage daughter who's getting into spiritualism following her father's death, and Violet, one of the very first women in the police, who's sent undercover into the nightclub.

Warnings for pretty much everything ever: dodgy accents, murder, suicide, meat & butchery, drugs, sex, 'rave' type scenes, beatings etc. It seems to be trying to be the new Peaky Blinders but since PB happened while I was ill and also contains characters who routinely commit crimes, I can't comment on accuracy of media's "the new x" pronouncements.

In short, it looks great if only I weren't me. I might still finish it, unwisely, anyway. It's about women immediately post WWI! /o\


They Came To A City (1944) This is one I happened to catch on TalkingPictures TV just as [personal profile] sovay was talking about John Clements, and I realised I had accidentally snagged this, featuring him. It's adapted from a play by J. B. Priestley, who actually turns up in a little prologue with a wee Ralph Michael & Brenda Bruce to tell the story of the film as a fable to prove a point to them. The story within a story is of nine ordinary British people from different walks of life who find themselves transported to a mysterious city run by an apparently perfect sort of socialist ideal. Some of them hate it, some of them stay, and some of them return to their regular lives to try and make their own cities more like the City. It's very static and talky and we don't see the city, but they pretty much lifted the original play's cast into the film and the performances are great all round and always raise it when it gets too close to being too much just talking about the ideas. It's slow but I found it utterly fascinating and loved it. I had to leave it on the DVR, so I couldn't even delete it as watched!

Also it gave me all the feels about the Beveridge Report and I've never said that about a piece of fiction before.


The Ghost Train (1941) wiki tells me there are actually about nine different versions of this, originally a play by Arnold Ridley who I know as Godfrey in Dad's Army. This is the most comic version, I gather, but also the one that has villainous Nazis instead of unlikely Cornish communists. It was another one I snagged recently from TPTV and, encouraged by current watching ability, I gave it a try and enjoyed it very much indeed! It does occasionally veer towards becoming a vehicle for Arthur Askey but it recovers itself in time, although I would definitely be interested in seeing some of the other versions. But his role as comedian was written in very well (he's a seaside vaudeville performer, his antics cause the stranding & solve it, and everyone gets annoyed with him) and I liked everyone else very much. Another mixed group of strangers get stranded in a remote Cornish railway station - with a story about a ghost train that runs through the station.

Anyway, I had a lot of fun, and I'd definitely be curious to see a version played more straight, but like I said, this is the one that sends a bunch of Nazis off a railway bridge, so I don't feel that it was the worst place to start!


[May comment: still didn't go back to Dope Girls; the state of my brain when employing the iPlayer can be easily illustrated by explaining that what I did was to watch a series and a half of Malory Towers instead. XD]
full_metal_ox: A gold Chinese Metal Ox zodiac charm. (Default)
full_metal_ox ([personal profile] full_metal_ox) wrote in [community profile] metaquotes2025-05-25 06:18 pm

Funny how nobody belongs to The Common Herd.

This eternal verity from [personal profile] thanekos:

There's never yet been a definition of " ordinary people " without some kind of self-aggrandizing exclusion.

Context is a [community profile] scans_daily post on Nightwing #125 and law enforcement arms escalation.
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
Igenlode Wordsmith ([personal profile] igenlode) wrote2025-05-25 08:58 pm
Entry tags:

I got to create a tag on AO3

I got to create a tag on AO3 -- and have it canonicalised ;-)
Which is not necessarily a given, since none of my character/relationship tags for the Yellow Poppy fics ever showed up; they have just been marked as "This tag has not been marked common and can't be filtered on (yet)", even when used across three different stories. [Edit: Even my Raoul & Gustave tag was never adopted...]

But my semi-serious tag of "Athos & Everyone" to describe the relationships in "If I Should Die" on AO3 has now been solemnly canonicalised by some tag-wrangler as "Athos | Comte de la Fère & Everyone" in the "d'Artagnan Romances (Three Musketeers Series)" Fandom Category and all other fandom categories in which an Athos appears, despite there being precisely one story in existence which uses it, namely mine :-D

(Yes, I'm easily amused sometimes.)
thisbluespirit: (fantasy2)
thisbluespirit ([personal profile] thisbluespirit) wrote2025-05-25 08:27 pm

Starfall Stories 46

Two more [community profile] rainbowfic pieces, as I did let crossposting drop a way behind for a while:

Name: Hidden Lights
Story: Starfall
Colors: Beet Red #28 (Beg steal or borrow); Azul #30 (Token of strength or loyalty)
Supplies and Styles: Canvas + Pastels (also for [community profile] no_true_pair prompt March 26th - Leion & Pello at the beach) + resin (also for [community profile] allbingo May color fest square "true colors.") + Giftwrap + Triptych + Novelty Beads - https://s-media-cache-ak0.pinimg.com/736x/00/09/8b/00098b9d3a37c21ed8bd3ee00da58c7c.jpg (September Secrets 2020) + "Fire Opal" (Birthday prompts 2020) + Graffiti - for the May Parents challenge.
Word Count: 1918
Rating: PG
Warnings: Brief mention of possible death, risk of drowning, abandonment.
Notes: 1297-1306, Portcallan; Pello Ahblan, Joend Ahblan, Leion Valerno, Tana Veldiner, Tam Jadinor. (Introducing a new character who we're going to see more of in time. The end scene of this takes place immediately after the recent Atino and Leion sequence.)
Summary: Pello's fascination with starstone leads to an unexpected encounter on the beach at midnight.




Name: On the Trail
Story: Starfall
Colors: Warm Heart #7 (Calm)
Supplies and Styles: Thread
Word Count: 2692
Rating: PG
Warnings: None.
Notes: Portcallan, 1313; Viyony Eseray, Nin Valerno.
Summary: Leion has vanished.
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modball ([personal profile] modball) wrote in [community profile] pinchhits2025-05-25 10:50 am

Due June 4 - Pick Me Up: A Happily Ever After Exchange Post-Deadline PHs

Event: [community profile] pickmeupexchangeis a multi-fandom, fanfic freeform exchange dedicated to all the happy ways we love watching our faves getting together.

Event link: Dreamwidth | AO3 Collection

Due date: June 4, 2025 11:59 AM CST (Timezone Conversion)

Fanwork Minimums: See Fanwork Minimum Requirements HERE

To Claim: reply to the latest Dreamwidth PH post or email ao3modball+pickup@gmail.com with the pinch hit number and your AO3 username.

-

PH 1 - Dragon Age (Video Games), Hades (Supergiant Games Video Games), Hades (Supergiant Games Video Games), Hamilton - Miranda, Wiedźmin | The Witcher (Video Game) )
 
PH 7 - Hazbin Hotel (Cartoon), Hazbin Hotel (Cartoon), Hazbin Hotel (Cartoon) )

PH 8 - Hawkeye (TV 2021), Harry Potter - J. K. Rowling, Hogwarts Legacy (Video Game), Ancient Greek Religion & Lore )

PH 9 - 逆転裁判 | Gyakuten Saiban | Ace Attorney, X-Men (Movieverse), 陈情令 | The Untamed (TV), Star Trek: Deep Space Nine )

PH 10 - Jack Jeanne (Video Game), A3! (Video Game), ちはやふる | Chihayafuru (Anime & Manga), Fire Emblem: Fuukasetsugetsu | Fire Emblem: Three Houses, AI: The Somnium Files (Video Games), Pocket Monsters | Pokemon (Anime 1997-2023) )

PH 11 - Harry Potter - J. K. Rowling, Seducing the Sedgwicks - Cat Sebastian, Hunger Games Trilogy - Suzanne Collins, Harry Potter - J. K. Rowling, Miraculous Ladybug )
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
Igenlode Wordsmith ([personal profile] igenlode) wrote2025-05-25 05:55 pm
Entry tags:

Relearning my handwritten Cyrillic

I finally bit the bullet and decided I really ought to look up the cursive Cyrillic alphabet again so that I can actually write things down in Russian (even if I can't type them). I used to be able to write long essays in this stuff -- I never did get terribly fluent in blind touch-typing in Russian, an absolute requirement since you could switch the computer keyboard layout you were using but not the physical keycaps, but handwriting was rather faster.

Anyway, I found a calligraphy chart and copied it out onto a bit of paper, and apart from a bit of remaining confusion between the cursive 'd' and 'b' (looks rather like an English 'd') and uncertainty about how to form the 'f' (a pretty rare letter, which is probably why it doesn't seem to join or write fluently) -- and an ongoing mental blank as to which way to loop the pen to form the little hitches at the bottom of the 'ts' and 'shch' -- it has mostly come back very quickly :-)

Capitals might be another story, as there are just a few that differ from their minuscule versions, and one doesn't get a lot of practice in them. And of course there is the ancient problem of differentiating the 'i', 'm' and 'l' (exactly the same issue that you get when writing 'm', 'n' and 'u' in a strict italic hand in English calligraphy, and the reason why I was taught to put dashes on my Ms and Ws in German... and still for my own benefit try to do so for the 'T' and 'SH' in Russian!)

Cyrillic calligraphic chart )
My own handwriting with an ordinary (i.e. non-italic) nib; I can see I'm having trouble joining the 'o' and 'm', and the 'i' and 'ch', while nothing ever does join to a 'b'. Actually, apparently it does in the calligraphic example given, explicitly entitled 'Azbuka' (alphabet) :-p
The actual practice text *blush* consists of what I was reading/looking at last night, which is the YouTube hashtag "trimushkyetyora" (misspelt!), a quotation from a transcript of an interview with the actor who played Soviet Porthos (Valentin Smirnitsky), "I don't like to watch my own films because all I can see is the mistakes", a pretty common sentiment among actors, I think, and (upside down in pencil) an earlier attempt at transcribing a snatch of lyrics from the song I've been translating ;-)
pedanther: (Default)
pedanther ([personal profile] pedanther) wrote2025-05-25 03:12 pm

Week in review: Week to 24 May

. Had a bit of a stressful week due to events ocurring with a committee I'm on. Did some things, didn't do some other things, spent a bunch of time worrying about whether I was doing enough or should be pushing myself to do more.


. One thing that helped counteract the stress was that this was also the week of the Howl's Moving Castle buddy read on StoryGraph, which lasted most of the week and offered something fun to keep my mind off things. At one point during the week, I found myself pondering a hypothetical cast for a TV adaptation, supposing there'd been one a few years after the book was published. The difficulty of such a hypothetical, of course, is that it wouldn't have had the budget for anyone really famous (the TV version of Archer's Goon didn't have anybody more famous than "played a villain in a middling Doctor Who story", though it had at least three of those). Or, at least, not anybody really famous now: if you timed it just right, you might be able to snag Catherine Zeta-Jones to play Miss Angorian before she got too famous and lit out for Hollywood. I didn't come to any conclusions about who might be good casting for Howell, largely because most of the Welsh actors I could think of would have been either too old or too young - I did notice that Peter Wingfield was in the right place at about the right age, and he's got a good face for it, but I still haven't actually got around to watching him in anything yet so I don't have an opinion on how well he'd do.


. At board game club, we played Epic Spell Wars of the Battle Wizards: Duel at Mt. Skullzfyre. My opinion remains what it was last time I played it, which is that I find the game mechanically interesting, but I dislike the artwork and the attempts at humour. We also played Flip 7, an abstract push-your-luck game; I did pretty well, but there were too many rounds where I pushed my luck one step too far and lost everything. I'd play it again.


. A few weeks ago, I was in the audience for the recording of an episode of a podcast game show called Inestimable, in which contestants are forced to guess at the answers to questions like "How many basketballs fit in an Olympic swimming pool" and "How many people were stabbed in the entire run of Columbo", and the audience members also put in guesses which are averaged or aggregated to get a collective guess which is put up against the contestants'. That episode has now been released.
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pedanther ([personal profile] pedanther) wrote2025-05-25 03:05 pm

Book Chain, weeks 10 & 11

#14: Read a book with something on the cover that was also on the previous book’s cover.

Noose: True Stories of Australians Who Have Died at the Gallows by Xavier Duff. The subtitle is kind of inaccurate: many of the chapters are stories of crimes that led to someone dying at the gallows, but while the crimes can be recounted in detail, for most of them the historical record lacks the details that would allow the story of the person to be told. I didn't enjoy it, and I didn't feel like I was learning much that was new. (At least in the sense that everything it talked about was something I was aware of in general terms as a kind of thing that happened, though I admit that many of the details were new.) (And unpleasant.) I don't know if it's really the book's fault; it may largely be just that true crime isn't really my idea of fun reading.

#15: Read a book that has a spine that's a different colour from the previous book.

Howl's Moving Castle by Diana Wynne Jones. It was long overdue for a re-read, and I got a nudge from somebody I know organising a buddy read on StoryGraph. It's just as good as I remember, and a nice relief from all the darker books that I've been reading lately.

#16: Read a book that was published in a different decade than the previous book.

I decided to keep the Diana Wynne Jones train rolling and read House of Many Ways, a sequel to Howl's Moving Castle that was published a couple of decades later, and which I'd only read once, back when it first came out. (There's another sequel in between, but I have re-read that one before, and there were bits of it that I wasn't in the mood to revisit.) I don't love House of Many Ways as much as Howl's Moving Castle - it's less... I think maybe "ambitious" is the word I'm after? - but it's a fun read.
pedanther: (Default)
pedanther ([personal profile] pedanther) wrote2025-05-25 02:55 pm

The Final Reckoning

The thing I want to make clear first of all about Mission: Impossible: Dead Reckoning: Part 2: The Final Reckoning is that I don't regret taking three hours out of my limited time upon this earth to watch it, and not only because if I hadn't I'd have always wondered what I'd missed. That said, there was quite a lot of it where I was attending politely rather than being properly engaged and excited; there are large chunks that are unusually slow and sombre for a M:I movie, and when it did come to the energetic nonsense the series does so well, I think they finally managed to find a level of nonsense that my suspension of disbelief was unable to rise to. (It wasn't the handwaving around the computer stuff that did it, because I'd accepted that as part of the price of admission; I think it was the part where Ethan [redacted] and [redacted], only to [redacted].)

Part of the reason for the tonal weirdness is that, while this isn't the first Mission: Impossible movie to posit that if the team fails in their impossible mission it will mean the end of the world as we know it, this one really leans into it. Possibly because metatextually it does mark the end of something: if you come out of the movie not aware that it's Tom Cruise's swan song in the role, it won't be for lack of the movie telling you about it. There are a lot of scenes of people sombrely pondering the imminent end of the world, and the nature of the legacy they'll leave behind them, with loud sombre music to tell you how to feel about it. There are also a lot of call-backs to Ethan's earlier adventures, some of which are fun and some of which are annoying and some of which just are.

It doesn't help that for a large chunk of the movie there's no real antagonist to bounce off. I've always thought that an omniscient faceless AI was an odd choice of opponent for a series where the heroes' stock in trade leaned heavily on mind games and disguises, but in Part 1, the AI was at least willing to adopt disguises and play mind games back at them, and its human sidekick Gabriel filled the antagonist role most of the time anyway. In The Final Reckoning Gabriel is sidelined for a long stretch of the movie and the AI ascends to the level of impersonal force of nature, like the frigid Arctic ocean that is the closest thing to an opponent in one of the movie's key action sequences.

It's not all negatives; I like the IMF team that gets assembled, and the way they interact with each other, and wouldn't mind seeing more of them in the post-Ethan movie that this movie is pretty clearly holding a door open for. The ending is about as close to a good old "they defeat the villain while letting him think he's winning" sting as you can get with a faceless near-omniscient AI as the villain.

It may even be that there's about as much good stuff in this movie as in any given two-hour adventure movie, it's just that at three hours of runtime it's more diluted than usual. (Proposals for how to trim an hour out of the movie are already circulating on the internet, naturally.) Differing opinions are differing about whether the good outweighs the less-good; for myself, I refer you to my opening statement.
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seawasp ([personal profile] seawasp) wrote2025-05-24 05:40 pm

FENRIR: Chapter 35

 Didn't get to post this yesterday. 

Some people are  more surprised than others by this turn of events...

... one of them for different reasons... )




But why wait?
igenlode: The pirate sloop 'Horizon' from "Treasures of the Indies" (Default)
Igenlode Wordsmith ([personal profile] igenlode) wrote2025-05-24 03:15 pm

Plant progress -- and a new fic idea

I have been potting up two of the towel-tomatoes and the Roma tomato into what will be their final pots, and have pretty much used up all the compost I bought in the process; I shall have to get some more. Not a lot of progress from the catch-up tomatoes, but presumably they have been developing roots under their sturdy seed-leaves.

The sweetbriar, rose campion and flax are in flower, red and yellow poppies )

Clothes line buckle snapped )

My bedroom clock stopped again this week after I wound it (which is annoying, because it was working up until then!), and turning it upside down didn't seem to help this time :-(


I have been seriously considering writing the third "Twenty Years After" fic that I was running in my head (basically as a sequel to "If I Should Die") and that I was more or less confident that I was *not* going to write, on the grounds that it had no plot and can't really be fitted into canon )

The obvious sequel to 'If I Should Die' being an AU in which he does )

What worries me more is that I'm not sure Porthos' anecdote, originally conceived in the context of a puzzled conversation about Raoul's parentage (a secret which Athos at this juncture has of necessity taken to his grave so far as his friends are concerned) actually fits very well any more into the story as I am now revolving it in my mind; it's certainly not a good ending. It was simply the point at which I broke off my 'what would they say to one another if...' speculations on reaching my own front door :-p

And unfortunately that particular idea was pretty much the whole point of attempting to write this, being the sole original piece of inspiration there :-(