Five Things Make a Post
Jun. 12th, 2017 08:43 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
1. The Multifandom Drabble Exchange is running again this year. Admin posts are on Dreamwidth at
multifandomdrabble. The nomination period for fandoms has just started. I did it last year and enjoyed it; it's a nice low-pressure fic exchange where all you have to write is 100 words. Simple, right? (This is of course a trick question: it's often very difficult to fit everything you want to say into 100 words. But I did enjoy it.)
2. Our production of The Farndale Avenue Housing Estate Townswomen's Guild Operatic Society production of The Mikado opens this week. I was worried about it for a while (Four weeks, you rehearse and rehearse / Three weeks, and it couldn't be worse), but it's been really coming together over the last few rehearsals, so I think we'll survive.
3. I didn't mention that while our production was in rehearsals, the club also put on its annual season of one-act plays. There were two this year, titled "Harry's Bounty" and "Kayak", which were both excellent. (Though I did think that "Harry's Bounty" was one scene too long; the final scene doesn't say anything new, just repeat explicitly things that had been strongly implied already, and loses the strong ending the play would have had if it had finished on what is currently the second-last scene.) Both plays were built around relationships of parents and children, and the director of "Harry's Bounty" is the mother of the director of "Kayak"; they were planning at one point to advertise the season under the title "Mother and Son", but they got a lot of feedback that people were getting confused and thinking that meant there would be a stage version of the popular sitcom.
4. This year's big production by the local high school that does a big annual production was Disney's Beauty and the Beast. The actor playing Belle was also the lead in last year's Hairspray; she and the actor playing the Beast were also the duo who took top honours at the drama eisteddfod last year. They both did very well in the roles, although I felt that the actor playing the Beast did better at bringing out the Beast's hidden humanity than at portraying his surface beastliness. In this he was not being given much assistance by his costume, which tended toward the minimal for logistical reasons. The actors playing Gaston and Lefou were also very good. Seeing how the stage version was adapted from the animated film was interesting; I liked how the animated furniture was handled. The songs added for the stage version are a mixed bunch; "Home" is excellent, others are good, and I cordially detest "A Change in Me": it has a nice enough tune but rubbish lyrics that lean too heavily on vague generalities and when it does get specific they're the wrong specifics. (Wikipedia informs me that it was added to the show late and in a hurry, which perhaps explains it.)
5. I'm finally filling a gap in my fannish experience and reading The Case-Book of Sherlock Holmes, the final collection of Arthur Conan Doyle's Sherlock Holmes stories. It's not as easy to come by as the earlier books, because it's still covered by copyright so there isn't the same plenitude of cheap editions, and its reputation suggested that it wasn't particularly worth much effort in seeking out, so up until recently I'd only read a few of the stories that were reprinted in anthologies. (In fact I think "The Adventure of the Sussex Vampire", which was in a horror-themed anthology I read as a child, may have been the first actual Holmes story I ever read.) The stories aren't ACD's best work, and some of them give a distinct air of having been dashed off without much effort, but there are some good moments in there. (And some terrible ones: "The Adventure of the Creeping Man", which has a solution based on what I presume was cutting-edge scientific theory at the time, really hasn't aged well.) Of the ones I've got through so far, I think my favourite is "The Problem of Thor Bridge", which has some proper detectoring, some nice character work (including a character who is of a familiar type but turns out to be more complicated than he might have been in an earlier ACD story), and a solution I didn't already know and didn't find too easy to guess.
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2. Our production of The Farndale Avenue Housing Estate Townswomen's Guild Operatic Society production of The Mikado opens this week. I was worried about it for a while (Four weeks, you rehearse and rehearse / Three weeks, and it couldn't be worse), but it's been really coming together over the last few rehearsals, so I think we'll survive.
3. I didn't mention that while our production was in rehearsals, the club also put on its annual season of one-act plays. There were two this year, titled "Harry's Bounty" and "Kayak", which were both excellent. (Though I did think that "Harry's Bounty" was one scene too long; the final scene doesn't say anything new, just repeat explicitly things that had been strongly implied already, and loses the strong ending the play would have had if it had finished on what is currently the second-last scene.) Both plays were built around relationships of parents and children, and the director of "Harry's Bounty" is the mother of the director of "Kayak"; they were planning at one point to advertise the season under the title "Mother and Son", but they got a lot of feedback that people were getting confused and thinking that meant there would be a stage version of the popular sitcom.
4. This year's big production by the local high school that does a big annual production was Disney's Beauty and the Beast. The actor playing Belle was also the lead in last year's Hairspray; she and the actor playing the Beast were also the duo who took top honours at the drama eisteddfod last year. They both did very well in the roles, although I felt that the actor playing the Beast did better at bringing out the Beast's hidden humanity than at portraying his surface beastliness. In this he was not being given much assistance by his costume, which tended toward the minimal for logistical reasons. The actors playing Gaston and Lefou were also very good. Seeing how the stage version was adapted from the animated film was interesting; I liked how the animated furniture was handled. The songs added for the stage version are a mixed bunch; "Home" is excellent, others are good, and I cordially detest "A Change in Me": it has a nice enough tune but rubbish lyrics that lean too heavily on vague generalities and when it does get specific they're the wrong specifics. (Wikipedia informs me that it was added to the show late and in a hurry, which perhaps explains it.)
5. I'm finally filling a gap in my fannish experience and reading The Case-Book of Sherlock Holmes, the final collection of Arthur Conan Doyle's Sherlock Holmes stories. It's not as easy to come by as the earlier books, because it's still covered by copyright so there isn't the same plenitude of cheap editions, and its reputation suggested that it wasn't particularly worth much effort in seeking out, so up until recently I'd only read a few of the stories that were reprinted in anthologies. (In fact I think "The Adventure of the Sussex Vampire", which was in a horror-themed anthology I read as a child, may have been the first actual Holmes story I ever read.) The stories aren't ACD's best work, and some of them give a distinct air of having been dashed off without much effort, but there are some good moments in there. (And some terrible ones: "The Adventure of the Creeping Man", which has a solution based on what I presume was cutting-edge scientific theory at the time, really hasn't aged well.) Of the ones I've got through so far, I think my favourite is "The Problem of Thor Bridge", which has some proper detectoring, some nice character work (including a character who is of a familiar type but turns out to be more complicated than he might have been in an earlier ACD story), and a solution I didn't already know and didn't find too easy to guess.