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Fiction books
Tove Jansson, tr. David McDuff. The Moomins and the Great Flood
WE Johns. Biggles Forms a Syndicate
Sharon Lee. Sea Wrack and Changewind (e)
KG Lethbridge. The Rout of the Ollafubs (re-read)
Alexander McCall Smith. The Tin Dog
Andy Weir. The Martian (e) (re-read)
Oscar Wilde. Lady Windermere's Fan
Jane Yolen. Sister Light, Sister Dark (e)

In progress
Tove Jansson, tr. Elizabeth Portch. Comet in Moominland
Tim Powers. Down and Out in Purgatory: The Collected Stories of Tim Powers (e)
Helen Simonson. Major Pettigrew's Last Stand (e)

Abandoned
Martin Cruz Smith. Gorky Park

Non-fiction books
Colin Duriez. The Tolkien and Middle-Earth Handbook
Alan Loy McGinnis. The Friendship Factor

short, screen, and stage )
books bought and borrowed )

Top of the to-read pile
Agatha Christie. The Mysterious Affair at Styles
pedanther: (Default)
It took me all of week 3 to finish The Friendship Factor.


#7: Read a book with more pages than the previous book.

There were plenty of options here, as The Friendship Factor is a pretty slim volume, but I opted to count The Martian, which I was re-reading for a book club. This is the third time I've read it (not to mention having seen the movie version), and it's not quite as compelling when I know all the plot twists already, but it was still a fun time.


#8: If the previous book had a person on the cover, read a book without a person on the cover.

This is proving to be something of a problem, as all the books I had lined up to read for other reading challenges have people on the cover, and so do a significant proportion of the books on my TBR in general.

Attempt #1 was Gorky Park by Martin Cruz Smith. The opening chapters introduce a large cast of quirky characters who I didn't care a jot about, and a gruesome murder which I also didn't care about, partly because none of the characters seemed to care about it either: even the detective protagonist was just going through the motions while he looked for an excuse to shove the case off on somebody else, while also having a boring marriage crisis that I suspect was going to lead to him having a fling with a material witness or something. I gave it fifty pages to hook me and then abandoned it without regret. On the bright side, I got two books off the TBR for the price of one, since I got rid of the sequel as well.

While I was taking the sequel off the bookshelf, my eye was caught by the neighbouring book, The Tin Dog by Alexander McCall Smith, which I decided to read as a palate cleanser. It was okay, but I'm well out of the target age range and I kept wanting to ask spoilsport logistical questions like "How sentient is this robot dog supposed to be, actually?" and "Can you really enter a dog in a greyhound race on the morning of the race?" (not to mention "Isn't entering your robot dog in a race with ordinary dogs, you know, cheating?"). I went back and forth on whether to count it as an official attempt for the Book Chain - the cover image doesn't feature a person, but there are people present in the background - and decided against as much as anything else because of how slight it is.

Around the same time, I finished reading The Tolkien and Middle-Earth Handbook, which has a landscape on the cover with no people that I could see, but is disqualified because I've been reading it on and off since before I started the chain.

Official attempt #2 was Major Pettigrew's Last Stand by Helen Simonson, which I read fifty pages of and then... not abandoned, exactly, I have a feeling I might get back to it at some point when I'm in the right mood, but I'm certainly not in the right mood for it now. I remember saying when I read Remarkably Bright Creatures that if it weren't for the octopus it would be a kind of book I don't usually read; Major Pettigrew's Last Stand is that kind of book with no octopi in sight, nor the kind of spark that made me continue to be interested in the human characters of Remarkably Bright Creatures even when the octopus wasn't around. The main characters seem like sensible people, and I don't appear to be in any suspense about whether they're going to sort their problems out in the end, and in the mean time I'm not really in the frame of mind to enjoy watching people being smothered by social convention and being forced to confront their mortality.

After going through my TBR shelves and not finding anything that called out to me (at least, not that didn't have a person on the cover), I resorted to going to the local public library and wandering the stacks until I settled on Agatha Christie's The Mysterious Affair at Styles, in an edition which has the eponymous manor house on the cover with no people. From past experience with Christie, I'm reasonably confident I'll find it at least readable enough to get through it without giving up and that even if there's a few deaths there will be a minimum of people confronting their own mortality.
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#5: Read a book where the author’s name is the same color on the cover as the previous book’s author’s name.

The Rout of the Ollafubs is a collection of linked short stories, with a shared setting and a cast of recurring characters, but focussing on a different character for each story (apart from the first and last, which bring all the characters together). I read it once when I was much younger, and some of the ideas and moments have stuck with me, along with a recollection that there were other parts I found dull and skipped over. Re-reading it as an adult, there are some imaginative ideas and fun characters, but the stories are rambling and lack clear stakes and in the end I feel that the whole is somewhat less than the sum of the parts. Some of the humour hasn't aged well, either, with parts of it depending on derogatory stereotypes of foreigners and the lower classes.

One of the things that made my experience of reading it now different from reading it back then is that now I'm able to recognise the influence of some of the other authors that preceded it; in particular, there were several points that reminded me strongly of George MacDonald's work in the genre, a comparison that tended to come out to Rout's detriment. With MacDonald, you can always tell that there's some underlying pattern or purpose even when the story's apparently being arbitrary; with this book, there were occasional moments where I got the sense that the author might have some idea of what the stories were driving at, but that idea never communicated itself to me (and the book ends with an explicit refusal to offer any explanations).

Of the individual stories, my favourites were the ones featuring the family of talking bears. There's something about making a bear cub with a Cornish accent the hero of a fantasy story that ensures it won't be as straightforward as a story revolving around a generic human protagonist, and these stories include most of the bits that had remained with me from my first read.


#6: Read a book that has the same colour spine as the previous book.

I'm currently working my way through The Friendship Factor by Alan Loy McGinnis, which is full of sensible advice about how to build better relationships with people that I'm probably never going to follow.

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