pedanther: (Default)
This week I made a change to how I do journal entries on 750 Words: instead of writing each entry at night, last thing before going to bed, I wrote each entry in the morning, first thing after getting up. It wasn't a considered decision: I was worn out after a particularly long, hot day, and was struggling to stay awake let alone string words together, so I logged that day as a vacation day and did the entry in the morning when I was more rested. And then, since getting back on track would have meant writing two whole diary entries of several thousand words each in a single day, I just kept doing the previous day's entry each morning. I'm not sure I'm happy with this way of doing it; partly I'm worried that leaving it until after I've slept means I forget things, but mostly it's that first thing in the morning is my good time for getting things done, and if I spend a chunk of it on the journal entry that's less time and getting-done-ness left for the morning exercise and anything else that needs doing. But it is nice being able to decide that it's time to go to bed and then go to bed, without having to wrangle words for an hour first.

(If I really work at it, I may even be able to regularly get to bed at a reasonable time and then get up early enough to get a lot of things done.)


On the public holiday, the board gaming club had one of its long afternoon sessions where people bring out games that are too long to play in the evenings. On this occasion, we played Eclipse, a game involving exploring the galaxy and gathering resources and moving a number of little cubes around on a player mat. I often get frustrated with games that are built around moving a number of little cubes around on a player mat, but I quite enjoyed this one, and even wouldn't mind playing it again at some point, though I don't know when I'm likely ever to have the time.

Afterward, as a shorter, more relaxing game to finish on, we played Fabled Fruits, which is a fun game that's slightly different every time you play, because it comes with a large deck of game mechanics and every time someone scores a point there's a chance of a new mechanic being added or an old mechanic being removed. I won the game, partly because another player who was vigilantly blocking all my opportunities to score the winning point got thrown by the last-minute introduction of a new rule that gave me an opportunity he overlooked.


Apart from the timed reading challenges on StoryGraph, like the monthly challenges I do, there are untimed ones that can be more for keeping track of things like how many different countries or how many years of publication you've read books from. I signed up to a "Read a book from every country" challenge a while back, and this week I added a "Read a book from every year since 1800", which took quite a while to fill in all the years I've already achieved. I can therefore report that I have read books from 9.6% of countries (all the usual English-speaking or Classical culprits, plus a few outliers like Denmark and Kenya), and that I have read books from 71.9% of the years since 1800, with 1896 being the most recent year from which I have not yet read a book.


In XCOM 2, I've got up to the final mission. I reached it late in the evening, so I saved the game and stopped there so I could come at it fresh when I had more time. That was several days ago, and I've never felt any urge to get around to it. I already know I can do the final mission; it's the complicated process of getting that far that was the interesting challenge.
pedanther: (Default)
One of the reasons why, until this month, I hadn't been to town since 2019 was a lingering fear that if I went into the crowded city I would come back with something interesting and respiratory. In a typically human display of logical thinking, however, having made up my mind to go I didn't take any serious precautions against that outcome, and went cheerfully unmasked among crowds on trains and in buses and in rooms full of boardgamers and so on and so forth.

So it wasn't entirely a surprise when it became apparent, within a week of my return, that I had in fact acquired something interesting and respiratory.

It isn't covid, or at least I've got a negative result on all the covid tests I've been taking. I even tried a brace of those fancy new ones that also test for flu and RSV, and got negative results on those as well. So I'm not quite sure what it is, except that it's definitely annoying.

It started with a general feeling of being tired that had developed by Saturday morning into enough of a something that I cancelled my social plans for the afternoon and spent most of the afternoon asleep instead. The worst of it was over within a few days, leaving just the post-nasal drip and associated cough which do not appear to be in any hurry to go away.

I've been sticking at home to be on the safe side, and skipped board game club and other social occasions. (And a committee meeting, which felt particularly weird because I don't think I've missed a meeting of that committee in years and there's a part of me that worries about what they might get up to without my eye on them.)

One of the ways I passed the time during the week was re-reading Tamora Pierce's Circle of Magic tetralogy, and then the sequel tetralogy, The Circle Opens. I started reading them years ago along with the Mark Reads online book club, but for some reason I don't now recall I stopped partway through. The decision to re-read them now and finish the series was partly a choice to read something fairly undemanding that I knew I'd enjoy, and partly a deliberate attempt to manipulate my reading statistics on StoryGraph: The all-time stats page includes a top ten list of the authors a user has read the most books by, which in my case starts with Terry Pratchett at #1 and continues down through several excellent SF writers, two creators of classic detective series, and the most prolific author of Doctor Who tie-in books, to finish – now – with Tamora Pierce at #10. The previous #10 was an author who I regrettably read voraciously during my undiscerning teen years but would now rather not give any hint of endorsement to, so I'm glad to have crowbarred him off the list.

Remarkably Bright Creatures fit the themed reading challenge for November ("a book about families") and the last book of The Circle Opens fit the challenge for December ("Finish a book or series that has been lingering for a long time" – and also the alternate option, "a book about someone who is gifted"), so I've completed that set of challenges ahead of schedule. On the other hand, I'm straggling with the random book challenges: I haven't finished the October book yet (This Is Improbable is one of those books that was designed to be dipped into on odd occasions, not read in long stretches) and I haven't settled on a November book. The November challenge is to pick a book at random from the books with your favourite StoryGraph 'mood' ("adventurous", in my case); I failed to get on with my first pick, as previously detailed, and my next few attempts to re-roll the choice landed on books I wasn't in a suitable frame of mind for. Part of the trouble, I think, is that if a book with my favourite mood has been sitting on the to-read shelf for years there's probably some reason I'm not keen to read it. I'm currently having a shot at a Sabatini novel I picked up in a second-hand shop once, and being reminded that although Sabatini inspired several classic adventure movies I've never entirely got on with his books at first hand.
pedanther: (Default)
. Rock of Ages is only a few years old, but it's a musical in the classical style -- which is to say that the plot is formulaic and the characters thin, but none of that matters while the songs are happening. After the first read-through of the script, I had a pretty low opinion of it, but after the first vocal rehearsal I was much more kindly disposed.


. I didn't end up reading The High Window in March, deciding instead to focus on finishing off Miss Smilla's Feeling for Snow and a couple of other books that have been lying about half-read for a while. Now that the decks are cleared, I appear to have started reading The Woman in White instead. I didn't have this much trouble starting The Big Sleep or Farewell, My Lovely, but then I've read those before and I knew what to expect from them; I haven't read The High Window before and it appears to be getting stuck in the general reluctance to Start New Things.


. It took me a few months to get through Miss Smilla's Feeling for Snow, but not because I didn't enjoy it; it's a dense read, not to be gulped down too quickly or when the mind is already full of other things. This is a book about the present being built on the bones of the past. The plot has Smilla uncovering a sequence of events stretching back to the second world war, and ultimately caused by something that happened much longer ago. At the same time, the novelist is uncovering, a bit at a time, the events that made Smilla into the person she is. For each of the people she meets along the way, we're given a glimpse of what made them the people they've become. It reminds me of John le Carré's thrillers, which are similarly portraits of people under pressure. (And, like a lot of le Carré's novels, it doesn't tidy everything away neatly and happily at the end. I found that it gave good enough answers to the most important questions, and that I could live with the uncertainties that remained, but this isn't a universal experience.)


. Over the past while, I've been importing my reading log into StoryGraph. Since the first decade of my reading log exists only on paper, this has involved a fair amount of typing, some opportunities to bathe in nostalgia, and occasionally squinting at an entry and muttering, "That's weird, I don't remember that book at all." I've also learned a thing or two about International Standard Book Numbers, including how the typo protection works and how to translate the old 10-digit ISBN into a modern 13-digit ISBN (not to mention an exciting side-trip involving my copy of Tarzan of the Apes, which is so old it only has a 9-digit SBN).


. After a long hiatus occasioned by various life events and scheduling conflicts, our roleplaying group has resumed meeting more-or-less regularly and has got back into the investigation we were in the middle of before things ground to a halt. In our most recent playing session, we started investigating a lighthouse that had been left abandoned(?) after the occupants were attacked in the middle of renovating it. I figured out a way of climbing up the outside of the lighthouse and getting in at the top, a strategy that had served us well for getting past the guards last time we needed to investigate a tower; unfortunately on this occasion it turned out the scenario had been designed to provide an increasing challenge level as the players worked their way up, so going in from the top meant running straight into the most difficult set of opponents in the lighthouse. I was obliged to retreat back down the side of the lighthouse and rejoin the rest of the party, and we used the front door instead.

Profile

pedanther: (Default)
pedanther

May 2025

S M T W T F S
     123
4 5678910
11121314151617
18 192021222324
252627282930 31

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 31st, 2025 04:30 pm
Powered by Dreamwidth Studios