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. The season recently closed for the club's latest production, The Regina Monologues, a set of six interconnected stories inspired by the six wives of Henry VIII but set in the present day. I wasn't involved (it's an all-female cast, with only the six women appearing on stage), but I went to see a performance and was very impressed. It's the most challenging (for both the cast and the audience) bit of drama the club has done in the last few years.

The club's next production is Seussical, the musical inspired by the works of Dr Seuss, which I'm also not in; I decided not to audition for several reasons, including still being a bit musicalled out after Mamma Mia. My sister was disappointed when I told her; she says I have the right kind of face to be a Dr Seuss character.


. Am still listening to Re: Dracula. One problem I've been occasionally having is that because it's intended to be listened to on a specific schedule, I sometimes find that the schedule expects me to listen to an episode when I'm still busy digesting something else. That was an issue the day I read the last of the Penelope trilogy, and I couldn't easily put the episode off because there was another one due the next day; it cropped up again the night I went to see The Regina Monologues, but on that occasion there was a break of several days before the next episode, so that time I postponed the episode until I felt ready for it.


. A while ago, I started using the Calibre ebook management software to organise my ebooks. Part of the motivation is that I've replaced my physical ebook reader a couple of times now, and each time I did, the books that I bought through the official store had their read status and tags automatically re-applied from the cloud, but not the several hundred books I'd obtained by other means. The second time I was faced with the prospect of going through all those books, individually re-marking the ones I'd already read (if I could remember) and re-adding all the tags (if I could remember, with part of the problem being that the tags largely existed to remind me of things), I added Calibre to the mix, in the hope that once this round of re-marking and re-tagging was complete Calibre would remember the details for me and handle the whole task should it ever again be required.

I've achieved a full success with the tags; if I add a tag to a book on the reader, it automatically gets copied to Calibre's records next time they share information, and if I add a tag to a book in Calibre, it's automatically copied to the reader. The read status has proven to be trickier. With the help of a plugin, I've got it set up so that the ebook reader tells Calibre whenever I change the status of a book on the reader (how far I'm up to, or if I've marked it as finished); what I haven't been able to find is a way to arbitrarily mark a book as finished in Calibre and have that recognised by the ebook reader. I suppose if all else fails I can go through everything on the ebook reader and mark the ones I've read there, and that information will be transferred to Calibre, and then hopefully since it's information provided by the ebook reader it will, when the time comes, be transferred back.


. At the boardgame club this week, I had a chance to get a couple of games on the table that I haven't had out for a while. I got Jabberwocky and The Lady and the Tiger in a Kickstarter; neither is a single game, but instead each has a set of components (cards and coloured tokens) and a rulebook containing rules for several different games that can be played with the components, depending on how many players you have. They seemed like a useful and flexible thing to be able to take along to a boardgame gathering, but in practice I've only ever played a couple of games out of each and still don't really know most of the games well enough to be confident suggesting them.

My favourite game from either set is "Labyrinth", a two-player game in The Lady and the Tiger where the cards are laid out to create a playing board that changes configuration each turn and the players race to get all their pieces from one corner of the board to the other across the shifting terrain; I got to play a game of it this week while we were waiting for more people to show up so we could start a larger game.

When one other person showed up, we also played a three-player game from Jabberwocky; in "Gyre", which I don't think I've played before, the cards are laid out to create a playing board which the players move around the edge of while performing actions to gain control of specific areas on the board. It took us a round or two to come to grips with how the game worked, but it ended up being a very close match and we all enjoyed it.

(I promise the games don't all start with the cards being laid out to create a playing board; last time I had Jabberwocky on the table, for instance, we played "Slithy", which involves using the tokens to bid for points based on the predicted value of another player's hand of cards.)


. One of my so-far-unrealised plans for long service leave was to take up knitting or crocheting or something of the sort, partly for the potential practical value and partly to have something to do with my hands while I'm watching TV or listening to a podcast. Since I have so far consistently forgotten to go and obtain the necessary equipment and materials, I decided this week to shift my sights to something a bit less ambitious, and for which I already have the necessary equipment to hand: namely, learning to shuffle a deck of cards properly. My current shuffling technique is not the worst I've observed among the people I've played with, but it's awkward and clumsy enough that I'd like to improve it, and I've always been impressed by anyone who could do a clean riffle shuffle. I haven't made much progress on that specific goal so far, as none of the "How to do a riffle shuffle" tutorials I've looked at bother to explain how the actual riffling part works, having apparently been written by people who have been handling cards long enough to have forgotten which of the things that are now second nature to them might be opaque to a beginner. So for now I'm sticking with a tutorial that covers the very basics of card handling, like what a "dealer's grip" is (another thing that came up in a shuffling tutorial without further elaboration), and hoping to work my way up. I can do a pretty consistent one-handed swing cut now, at least, so that's something.
pedanther: (Default)
My replacement ebook reader has arrived, huzzah! ...which then left me with the prospect of loading several hundred ebooks back onto it, and reconstructing the complicated system of tags I'd built to remind myself which series or fandom they were all in, and regretting that I kept putting off making the record of which ones I will never read again and was only keeping because I hate throwing things away.

I decided that in the circumstances it might be time to finally try out this Calibre ebook library management software I keep hearing about. I've spent several happy hours cleaning up metadata, and discovering that with Calibre as an intermediary I can once again read all the old ebooks I bought decades ago from now-defunct websites in formats that my current ebook reader doesn't know about, and reconstructing the complicated series of fandom tags for what will hopefully be the last time. I haven't quite got as far as actually putting everything back onto the ebook reader, though I have loaded a few test books to make sure that the tags work and so forth.

Part of the reason I'm not especially in a hurry with that is that it's likely going to be a while before I get to read any ebooks anyway. While I was reader-less I got roped into a community read of a chunky omnibus of old science fiction novels, which I'm currently running behind on because right after I signed up for that an interlibrary loan finally came in and I had to read it and the rest of the trilogy it's part of before it was due back.

The trilogy in question is the Tenabran trilogy by Dave Luckett, which I started reading when I was at university years ago, but by the time I got up to book 3 it was out of print and almost impossible to find. (In one of those moments that become significant with hindsight, I actually attended the event where book 3 was officially launched, but at the time it didn't seem to make sense to buy book 3 of a trilogy I hadn't yet read any of the earlier parts of.) More recently I managed to get hold of a secondhand copy of book 3, but by then I'd forgotten most of what happened in book 2, which I didn't have a copy of and which hadn't become any easier to get hold of with the passing of the years. I eventually discovered that the state library had a copy hidden away somewhere, requested it through interlibrary loan, and heard nothing for long enough that I'd begun to suspect nothing was going to happen, until suddenly I got a notification that it was waiting to be picked up at the local library branch. So now I've re-read the first two books (both just as good as I remembered) and finally found out how it all ends.

Another thing that happened while I was forced back on paper books is that I finished reading A.C. Grayling's The Good Book, which I've been working through bit by bit for the past couple of years. It's an anthology of non-religious writings on what it means to live a good life, covering a range from Classical times through to the 19th century, and bills itself in a subtitle as "A Secular Bible", which I have mixed opinions about. As a way of drawing a potential reader's attention, it certainly works; I might never have heard of it if it had been called something different, and I certainly wouldn't have been given this copy by the person who gave it in the circumstances in which it was given. But I don't feel like the conceit -- which extends to dividing the book up into sections with names like "Genesis" and "Acts" and splitting the texts into arbitrary chapters and verses -- achieves anything except to distance the reader, and to give the impression that Grayling is trying to hitch his solo effort onto the coattails of a major cultural artifact created by many hands over the course of centuries. Of course, while the compilation is the work of one man, the text isn't -- but another problem with aping the style of The Bible is that there's a distinct lack of attribution. Some of the larger chunks are fairly easy to identify -- "Histories" is mostly Herodotus, and "Consolations" is mostly Seneca, and "Acts" is mostly Plutarch, and "Epistles" is mostly Chesterfield -- and some of the smaller pieces manage to be distinctive, like Bai Juyi's poem about the parrot, but there are a lot of places where there's a particularly nice idea or turn of phrase that I would like to know who it belongs to, whether Grayling or someone else, and there's no way to tell.
pedanther: (Default)
. Our season of Mamma Mia has come to a successful conclusion, and I have been, with some relief, to get a hair cut. (I'd grown my hair out a bit to suit the character I was playing, and I didn't mind the look, but it was getting long enough to be annoying to deal with.) The club's next production will be The Regina Monologues, a retelling of the stories of the wives of King Henry VIII; it's an all-female cast, so I get to have a bit of a break without worrying about whether there's a part I should have gone for.


. The random book selection for June was taken from the subset of the to-read pile consisting of books which had been tagged "adventurous" and "challenging" by StoryGraph users. My randomly-selected book was The Workers' Paradise, a small-press science fiction anthology which I'd bought to support the publisher and then left languishing because I suspected it wasn't really my kind of thing. This turned out to be an accurate suspicion; I struggled through about half of it before deciding that I just couldn't take any more, and that I'd seen enough of the editor's choices to be confident there wouldn't be a story in the back half that made the whole thing worthwhile. I went back to the random selection, and (after vetoing a couple more short story anthologies) got a replacement pick of Spinneret, an adventure novel by Timothy Zahn. I had a much better time with that, although I was dubious about some of the politics and I thought the characters were rather flat; each character started out with a clear role in the plot (the Leader, the Scientist, and so on) and never really developed beyond it.


. For the June theme reading challenge, the theme was "a book about the ocean, maritime life, coasts, or something sea-related". I thought this might be my cue to finally read Shelby Van Pelt's Remarkably Bright Creatures, which I keep being recommended and have had a rolling hold on for a while – but then the ebook reader broke and I missed the deadline for rolling over my hold, so I've been bumped back to the bottom of the hold queue, which means that even if the replacement ebook reader does show up soon it's going to be a while (the library website is currently estimating a couple of months) before a copy becomes available. So I'm going to have to come up with something closer to hand that fits the theme.


. Separately from either of the monthly challenges, this month I also read Killing Floor, the first of Lee Child's long-running series of thrillers featuring Jack Reacher, and confirmed that it's not the kind of thing I'm likely to want to read more of. Having the kind of mind I have, I was struck by the boilerplate in the front of the edition I read, which has a little summary of Reacher's backstory that presumably is repeated verbatim in every book in the series. What struck me is that it places the events of Killing Floor in 1997, which is a reasonable assumption on the face of it, given that that's when Killing Floor was published... except that it's a plot point in the actual novel that it's taking place in a presidential election year, which 1997 wasn't.


. I have mixed feelings about the latest season of Doctor Who, but I found enough to like that I'm glad I watched the whole thing and didn't give up when I was feeling disappointed with it partway through.
pedanther: (Default)
. Our production of Mamma Mia opened this week. It's been our best-selling show in memory, with every single performance sold out before it even opened - hurrah for name recognition! The rehearsals went pretty well (as the director remarked, it helped that most of the cast already knew most of the songs), and at the traditional milestone three weeks before opening it was actually in good shape for a show with three weeks of rehearsal left. Then we lost a week of rehearsal due to half the cast being struck down by various respiratory illnesses, and one week before opening we were in good shape for a show with two weeks of rehearsal left. We managed to pull it together in the last week, though, and although the performances have had some rough edges they've been nothing to be ashamed of.


. For the April theme reading challenge ("a book about rain, weather, spring, or some kind of new blossoming"), I chose an anthology called Mists and Magic, edited by Dorothy Edwards. It's a collection of short stories and poems about witches, ghosts and other magical creatures, aimed at a young audience, so I'm coming to it rather late. (It hasn't been sitting in my to-read pile quite that long, mind you; it's only been fifteen years or so since I picked it up at an ex-library sale for reasons I don't now recall.) I probably would have enjoyed it a lot at the target age, but coming to it now I found the stories mostly short and slight, and in many cases was already familiar with the element the story was relying on for novelty. There were a few that I thought stood out, in particular "Christmas Crackers" by Marjorie Darke and the editor's own contributions, "Night Walk", "Witch at Home", and "The Girl Who Boxed an Angel". Looking back on them, those are stories where the author put some extra effort into characterisation and didn't settle for writing about A Generic English Child; I concede the possibility that there may have been readers in the target audience who would have preferred the generic protagonists as easier to identify with, but they didn't do it for me. "Night Walk" is apparently an extract from a novel, which I'm now interested in reading the rest of.


. For May, there was a choice between "something old, or a book about something or someone old" and "a book that you think you might bail out on, or a book about emergencies, panics or escapes"; I chose Ninefox Gambit by Yoon Ha Lee, a book about someone very old, and a lot of emergencies and panics, that I wasn't entirely sure I wasn't going to bail out on. After finishing it, I immediately went and got the sequel from the library, and now have book 3 of the series on hold.


. The random book selection for May was taken from the non-fiction section, and my randomly-selected book was Screwed: The Undeclared War Against the Middle Class - And What We Can Do About It by Thom Hartmann. The general principles are interesting, though for the most part already familiar to me. It has a couple of things holding me back from engaging with it in depth. One is that it's very much a book by an American, for Americans, about America. The other is that it was already a decade old when I acquired this copy (it came as part of an ebook bundle on the theme of "Hacking Capitalism") and it's been sitting around unread for a good while since then, so the America that it's about is the America of George W. Bush's second term and there's nearly two decades of developments (and lack of developments) that it has nothing to say about. Trump is mentioned once, in a list of American tycoons; Obama is not mentioned at all. (Bernie Sanders gets quoted a couple of times, but the author finds it necessary to explain to the reader of 2006 who he is.)


. The new Liaden novel, Ribbon Dance, is just out, but I haven't had a chance to start reading it yet because my ebook reader went into a coma a couple of weeks ago; it was only about a year and a half old, but fortunately that meant I qualify for a free replacement, but the replacement hasn't arrived yet.
pedanther: (Default)
. A good number of years ago, I backed the original set of Magic Puzzles 1000-piece jigsaw puzzles on Kickstarter, and then they sat around unopened because I never got around to setting up a space where I could work on them. A week ago, I finally hauled one out to have something to do with my hands while watching a Youtube stream (which was celebrating the third anniversary of its Youtube channel, and therefore nearly the third anniversary of the first time I said to myself, "You know, I could probably do one of those Magic Puzzles to have something to do with my hands while watching these"), and I've been working on it in spare moments. I finished it this morning, and am now trying to decide how long to leave it out and admire the artwork before I clear it away so I can get started on the next one. (I was a bit worried that the puzzle's gimmick, advertised as a "mind blowing magical ending", would end up being a fizzle; in the event, I think that description is overselling it a bit, but it is pretty neat.)


. The thing about the XCOM games is that, while I enjoy them, I'm not terribly good at them, or at least I wasn't at first, and I've never got all the way through one without saving before every mission and shamelessly reloading if everything goes pear-shaped. When I first started, this was necessary to avoid complete mission failure and my entire team getting wiped out on the regular, but as I've improved I've also been increasingly tempted to stretch the definition of mission failure, a tendency that was shown up when I found myself taking a mulligan on a mission which had gone entirely according to plan right up until the last-moment death of a single soldier who just happened to be one of the ones I was sentimentally attached to. After that, I promised myself that on my latest runthrough I would only replay missions that were complete disasters and specifically would keep the result of any mission where the objectives were successfully achieved no matter how many soldiers got killed doing it. I have kept to that resolve, even for the mission that ended with only two soldiers still standing; it's been challenging, and included long stretches where I was struggling to field a team for missions (and at least two points where I had to automatically fail missions because I literally didn't have enough active soldiers to do them), but it was very satisfying when I overcame that and started building up the team again. There's some kind of life lesson in that, probably. The funny thing is that, although there were those stretches where it felt like we were limping along, in the end the campaign has taken about the same amount of time as all my earlier ones; I reached the end game in roughly the same number of missions and within a month, in-game time, of my previous longest campaign. Presumably that had something to with the fact that I still took do-overs on the missions that I completely failed; doing a run where I kept the result of every single mission, no matter how disastrous, would be an even more interesting challenge, but one that I don't think I'm a good enough player yet to survive.


. After I completed the latest runthrough of XCOM 2, I decided it was time for a change of pace, so I've been playing a platformer called SteamWorld Dig 2, which I assume I got in a bundle at some point because I don't remember ever specifically deciding to buy it. I've been playing it often enough to start seeing it behind my eyelids, and enjoying it a lot, and it's reminding me how much I also enjoyed playing the last platformer of this kind that I played (the excellent Yoku's Island Express), so I'm thinking maybe I should play this genre more often.


. Another thing I've been really enjoying lately is a new D&D Actual Play series called Natural Six, which put out some preview/prequel episodes a while back and released its official Episode 1 last week. The players are all charming and invested in their characters, and they and the DM all bounce off each other really well. New episodes are being released fortnightly, on Youtube or as a podcast, alternating with episodes of an after-action series where the players talk about the previous week's session.


. The random book selection for April was based around picking one of the oldest books on the to-be-read list – which in my case didn't actually result in one of the books that's been waiting to be read the longest, because I already had a large stack of unread books when I joined StoryGraph and I didn't make any effort to list them chronologically. Actually, it looks like I started by adding the unread books on my ereader, which necessarily are all more recent than when I got the ereader about a decade ago. I definitely have paper books that have been waiting longer than that.

The book that was randomly selected for me was The Girl with the Red Balloon by Katherine Locke, a young adult time travel story that I think I picked up as part of a special offer and had no idea what it was about until I started reading. There were some parts that I felt lacked the subtlety that I would have expected if it were a book for not-young adults, but on the whole I enjoyed it well enough and found it satisfying in the end. (Speaking of the end, it makes some interesting choices about which questions it leaves unanswered – although I've noticed that, because of the time travel, at least one of those questions is actually answered in the first chapter before the reader knows what the question is yet...)

The theme challenge for April is "a book about rain, weather, spring, or some kind of new blossoming", and I haven't picked a book for it yet.
pedanther: (cheerful)
1. I once considered doing a blog where I'd post about events from fictions set in the future, on the dates they supposedly occurred. If I'd done it, there would have been a post due last Monday for Marty McFly's visit to the future in Back to the Future part II. If you've noticed it's taken me almost a week to mention this, you've discovered one of the reasons I decided not to go ahead with the blog. [ETA: And if you've noticed that I have no idea when Back to the Future part II is set, and will believe any munchkin with a doctored screencap without checking a reliable source as backup, you've discovered another reason.]


2. I've now read two novels on the Kobo. I'm finding it quite a comfortable reading experience, although I'm still having a bit of trouble with the page-turning. It's a touch-screen device, so instead of there being a Turn Page button, you tap on the screen, and it moves forward a page -- except when it moves forward two pages, or decides you really wanted a dictionary definition of the word nearest where you tapped.

One of the small but satisfying features is a result of the e-ink display, which only uses power when it is being changed. That means that when you switch the device off, the display doesn't have to go blank; displaying an appropriate image uses no more power. If you switch the device off while you're part way through a book, it displays the book's cover.


3. One of the two novels was A Little Princess, by Frances Hodgson Burnett, the author of The Secret Garden. It's got some really nice scenes, mostly those featuring the protagonist's interactions with her various and sometimes-unlikely friends, but I think on the whole I prefer The Secret Garden. The latter book also has really nice scenes featuring a protagonist interacting with various and sometimes-unlikely friends, and in addition it has the exploration of an interesting setting, and an ending that doesn't rely on a huge and improbable coincidence.


4. Mark Reads Tortall is coming to the end of the Immortals Quartet. I had been undecided about whether I would follow on when Mark got to the Tortall novels I've never read before, but since Tamora Pierce is coming to Swancon next year it seems like a good idea to continue. Anyway, it appears I'm already into the novels I've never read before: book four of the Immortals Quartet has been completely unfamiliar apart from the cover illustration, and I've got a strong suspicion I never actually got around to reading it the first time I read the series.

(Mark is also reading Mira Grant's Newsflesh trilogy, and watching Friday Night Lights, The West Wing, Dead Like Me, and Stargate SG-1. He keeps busy.)


5. A confluence of circumstances recently led me to ponder the idea of a crossover between Sherlock and Global Frequency. I came to two conclusions: First, and almost immediately, that Mycroft would not be out of place as one of the shady government figures who cause the messes that the Global Frequency Rescue Organization exists to clean up; and second, that if there is any of the regulars whom I would not be surprised to learn was on the Frequency, it's Molly.

(I'm not sure they'd want Sherlock, despite his talents, and I'm pretty confident he wouldn't want to be part of any hierarchy he wasn't at the top of. John knows how to take orders, but now that he's found his place by Sherlock they've got nothing he wants -- though having put it that way, it's interesting to speculate about what might have happened if they'd found him before Sherlock.)
pedanther: (cheerful)
1. So, the National Band Championships? To our utter, utter astonishment, we won our division, and are now the Australian D Grade Champions. Discussions are underway about the practicality of going to next year's championships (which will have returned to the far side of the continent) to defend the title.


2. My hotel room number for the weekend (assigned entirely without any input from myself) was 42.


3. I got to more of Swancon than I'd feared, if less than I'd hoped (and in the process usefully expanded my working knowledge of the city's public transport options). I enjoyed what I got to, and caught up with the usual suspects, including [livejournal.com profile] leecetheartist and [livejournal.com profile] rdmasters, who as usual introduced me to several games I was not previously familiar with. (I particularly liked Winter Tales, where the movement of the pieces on the board is just the skeleton of the game, and the emphasis is on collaboratively spinning a story about what the characters represented by the pieces are up to. I like collaborative storytelling. Other games I was introduced to included King of Tokyo, a silly but fun game in which giant monsters slug it out for the chance to trash Japan, and Roll Through the Ages, which had a bit too much number-crunching and not enough story for my taste.)

The guests at next year's Swancon are to include Tamora Pierce and Isobel Carmody.


4. I have a new gadget, a Kobo ebook reader. I haven't really used it much yet, because when I'm at home I prefer to make inroads on the enormous pile of unread dead-tree books in my living room, and save the ebooks for when I'm travelling. (I had intended to put it to work on the trip back, but it turned out I couldn't actually activate it and load it up until I got home.)


5. Too many people dying lately. I particularly regret the loss of Richard Griffiths, who played one of my favourite fictional detectives, Henry Crabbe, in the TV series Pie in the Sky. If that doesn't ring a bell, his film credits include wicked uncles in both Withnail and I and the Harry Potter series. He also had a noteworthy stage career. By all accounts he was a really nice guy, and will be missed.

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