pedanther: (Default)
1. Shortly after I moved into this house, I noticed that one of the washing lines (there's a set of five, strung in parallel) was looking significantly frayed at the end and was probably going to give way sooner or later. Then I had a look at the other end and realised that each line is on a reel, so that if it breaks you just have to release the tensioner widget and pull some more line out, so I decided to not worry about it until it happened. Well, last week it happened (while I was in the middle of hanging out laundry -- who would have guessed that the time it snapped would be when it was having weight put on it?), so after the laundry had dried and been put away I set about figuring out how to operate the tensioner widget. It took some figuring out (by my count, I unscrewed at least three things that didn't need to be unscrewed at all), but in the end I had restrung the broken line, as well as a couple of others that were beginning to look frayed, and as a bonus had adjusted the tension on all the lines, and it felt like enough of an achievement that I wanted to record it somewhere.


2. At the Rep Club, our big musical for this year is 9 to 5, the musical of the film of the Dolly Parton song. (If you know the song, I'm playing the man from the line "I swear sometimes that man is out to get me".) It's going to be a lot of fun if it comes together; we're currently at the "four weeks, you rehearse and rehearse; three weeks, and it couldn't be worse" stage.


3. Speaking of musicals, the local high school that does a musical every year or two is currently doing The Wizard of Oz (the version that's adapted from the 1939 film). I'm not sure if it's the first musical production they've done since the lockdown, or if I've ignored some in the intervening time because I felt it was too soon to be sitting in a crowded auditorium for several hours, but anyway it's the first one of theirs I've been to since last time I mentioned I'd been to one. There was the usual range of talents on show for a student production, with Dorothy and Scarecrow being the strongest performers, and the kid who played both the Munchkin Coroner ("not only merely dead, but really most sincerely dead") and the Winkie Captain standing out among the smaller roles. The guy playing the Wizard did pretty good characterisation, but wasn't so good on the vocal projection (and for some reason, even though all the main players were miked, nothing was done to make his voice more impressive when he was doing the Great and Powerful routine). Their version of the disappearing-reappearing ruby slippers wasn't as slick as the version in the last production I saw of this show, about a decade ago, but it was pretty good. I had a good time.

3a. One thing I used to enjoy doing at these shows, that I didn't get to do this time, was spot the cast members I knew from performances at the annual performing arts festival. The performing arts festival hasn't been held since the lockdown, and I suspect there isn't going to be another one any time soon, because the two most load-bearing members of the organising committee have separately become too occupied with other commitments.


4. I was on the fringes of the solar eclipse last month. Around the time when Exmouth was experiencing totality, I went out into the garden with a pinhole viewer and got a good look at the moon covering about half the sun -- but if you didn't know there was an eclipse on, and were just going about your day, you probably wouldn't have noticed anything. It was a bit less bright than you might expect for a cloudless midday, but that was all.


5. I mentioned back when Dracula Daily was finishing up that I was trying to decide whether it would be a good idea to re-read Anno Dracula, Kim Newman's Dracula-meets-Jack-the-Ripper novel, while the details were still fresh, or if that would just lead to me spending a lot of time complaining about things Newman changed or got wrong. In the end, I decided instead to read The Five, Hallie Rubenhold's non-fiction book about what the standard Jack the Ripper myth doesn't tell you about his victims. I have a feeling that this means there are even more parts of Anno Dracula that would make me complain about things Newman changed or got wrong, but I think it was the right choice.

5a. Rapid-fire reading challenge update: November (a book with "ING" in the title) - Ingathering: The Complete People Stories by Zenna Henderson; December (a book with a number in the title) - The Fifth Elephant by Terry Pratchett; January (a book you wanted to read last year and didn't get to) - Deathless Gods by PC Hodgell; February (a book by an author you love) - The Sandman: Overture by Neil Gaiman; March (a historical or epic book) - The Leopard by Giuseppe Tomasi di Lampedusa; April (a book about rain or weather) - Winds of Evil by Arthur Upfield; May (a book about emergencies, panics, or escapes) - the first couple of volumes of Spy x Family by Tatsuya Endo.
pedanther: (Default)
. After about two years of playing Crypt of the NecroDancer on and off, I've finally beaten the fire-and-ice zone and unlocked the fourth and final zone of the game. At this rate, I may even get to the bit with the actual NecroDancer in before the end of the decade.


. The annual performing arts festival is on again. Last year, the vocal weekend was a bit sparse and the instrumental weekend was packed, so this year we've got the same adjudicator for both weekends so the entries can be spread out more evenly. Which was probably a good thing, because we've had so many entries this year that even spread out evenly there's no space for any workshops; I can't imagine how we'd have managed if we'd tried to fit all the instrumental entries on one weekend. Unfortunately, this hasn't extended to the drama section, which has been cancelled due to lack of entries for another year running.

One of the highlights of the mostly vocal weekend was the junior character vocal section, where two of the entries were songs from a revue I hadn't previously heard of called How to Eat Like a Child. The songs themselves were hilarious, and they got really good performances, with a level of acting we don't often get in the junior character vocal section, which sometimes seems like it's just a parade of small children whose attempt at characterisation stops at being dressed like a Disney princess. (This year, apart from the How to kids, we had two Pocahontases and a Cinderella, but to be fair they did a bit of acting too.)


. The Rep Club's production of Away opens two weekends from now, which means we're currently in the "couldn't be worse / will it ever be right" phase of the process where everybody's worrying about whether their lines will stick in their memory, especially the guy who just got cast last week after another actor pulled out, and there are still parts of the set being built and we've only really rehearsed the final scene once. But I'm confident it's going to pull together at the eleventh hour, the way these things usually do.


. The other local amateur theatre group that isn't the Rep Club is putting on Little Shop of Horrors. Between the performing arts festival and Away there's exactly one performance I can make it to, and for a while it was looking like I might not be able to make it to that one either. I'm looking forward to it; Little Shop of Horrors is usually a good time, and this production has been getting good word of mouth.


. I've been vaguely aware for years of Goodbye, Mr Chips, James Hilton's novel about a retired schoolteacher looking back on his life, but only recently got around to reading it. It's a charming book, and I can see why it was popular. One thing I wasn't expecting is that, because Chips's career spans the decades up to and including the 1910s, quite a few of his anecdotes about schoolboys he's known end with him remembering that the boy in question died in the First World War. Quite a lot of people die in the course of the book, actually, though I suppose that's a risk you take in a story that spans eighty years, and somehow it never quite disturbs the mood.
pedanther: (Default)
1. The performing arts festival is over for another year. The vocal weekend was a bit less busy than in past years; some of the singers who would always enter every category they were eligible for have gone off to university or otherwise moved on. We put on some extra workshops, including a kids' choir workshop, and otherwise enjoyed being able to get up at a reasonable time and have proper breaks between sessions. The instrumental weekend we had to get back to early mornings and short breaks; it was packed, as it probably will always be as long as there are still piano teachers in town. There were also some good showings from other instruments, including the largest field of brass solos I can remember seeing. The weekend ended with a repeat of last year's massed band workshop. There isn't going to be a drama section this year, due to lack of numbers; the bulk of the running is usually made up of students from two schools, but neither of them put anything in this year, and there was only one other entry. That's disappointing for us, and must also be disappointing for the one school group that did enter, although I gather their teacher has arranged for them to do a performance for their school so their effort won't go for nothing.


2. We're halfway through the run of How to Survive a Zombie Apocalypse, and it's going well. I've been operating the lighting and sound desk for the first weekend, and failing to resist the urge to keep tinkering with the set-up. I've learned a lot about how the lighting and sound rig works by poking around, and as a result been able to make some good improvements, but tinkering without proper testing has also led to a spectacular whoops on a show night (that I was fortunately able to cover for in a way that hopefully made it look like it was meant to happen). The good news is that I know exactly what went wrong and it won't happen again; possibly the better news, from the point of view of everyone else in the production, is that it had already been arranged that I would only operate for the first weekend before handing over the desk to one of our trainees, who will be less inclined to improvise.


3. I'm starting to vaguely think about maybe going to Worldcon in 2020, when it's in New Zealand and relatively close at hand. The main guest of honour is somebody I've already seen at a Swancon, but it's not as if the guest of honour is the only reason to go to a Worldcon. And, speaking of Swancon, it's looking like I might not be able to go to Swancon in 2020, so it would be good to have a back-up plan.


4. At gaming group this week, there were a couple of first-timers being shown around and introduced to some of the popular games. We played Skull and Love Letter, and I found myself being singled out for a special introduction as the most dangerous Skull player in the group. (It's not that I win. I've never won. I've never tried to win, which is what makes me dangerous -- I just enjoy myself making life interesting for the other players.)


5. Humble Bundle offers bundles of games, ebooks, and other electronic products for special prices with proceeds going to charity. They are currently offering a Digital Tabletop Bundle containing computer and mobile app versions of board games and card games. The line-up includes Ticket to Ride, Talisman, Sentinels of the Multiverse, Pathfinder Adventures, Mysterium, Carcassonne, and Armello, including expansions for some of those. The bundle will be available for one more week from today.
pedanther: (Default)
1. Among the things I was not expecting to happen this month: finding Irn Bru on sale in the supermarket. It turns out it's fairly similar in taste and texture to a drink we have in Australia, but a much more interesting colour. (Although I have now read up on it, and apparently Australian Irn Bru isn't quite the same thing as Scottish Irn Bru, in the same way that Australian Mountain Dew, which I also remember finding less exotic than I'd expected, isn't quite the same thing as American Mountain Dew. Australia has some strict rules about what you're allowed to put in soft drinks, particularly when it comes to caffeine.)


2. Have been continuing the process of identifying sources of stress, or activities that I wasn't enjoying enough to justify the time I was spending on them, and letting them go so I have more time and energy for the activities I do value. I was worried for a while that I might find I didn't have anything left, but my enthusiasm for the Rep Club is undiminished, and although there are aspects of the band that I'm not enjoying, on the whole I think it's in the way that makes me want to stick around and try to fix them.

One thing I'm going to have to keep putting up with is my job, which I don't enjoy much and occasionally find myself explicitly thinking of as time taken away from doing something useful, but I don't have anything to replace it with. (For one thing, I am not sure, and don't know how to find out, whether the problem is this particular employer and set of working conditions, or this occupation, or me; so I don't know whether it could be fixed by finding a different employer, or a different occupation, or if I'm going to feel like this about any other job I might get.)


3. Speaking of the Rep Club, the long form improv show went well. It ended up being less ambitious than I pictured when I first heard about it: rather than improvising a single full-length play, we improvised a few short plays, about 15-20 minutes long each, and filled the rest of the evening with the more usual sort of one-scene improv games. Which is probably just as well, in retrospect; making up a full-length play as you go along is the kind of thing you need to work up to gradually. Anyway, we enjoyed it, and the audience enjoyed it, and the improv group is going to keep meeting and will maybe do another show next year.


4. The performing arts festival is over for another year. The instrumental music weekend went well, and included a massed band workshop where all the musicians who played on the weekend and any other interested local musicians were invited to come and play in one big band together. (I enjoyed it a lot, which apart from being good in itself was useful at a time when I was feeling down about playing in our local brass band, and trying to figure out whether it was that I'd lost interest or it was the band that wasn't doing it for me. I wish more of the people from the brass band had made it to the workshop.) The drama evening was good again, although some of the teenagers' self-devised pieces got a bit intense, with domestic abuse and murder and so on. Apparently, there's an actual project they do which involves delving into mental health issues and stuff, so they're not just leaping to these subjects on their own initiative; after some of the things they've come up with over the last few years, that's kind of a relief to know. The top prize went to the same actor as last year, and I'm going to be interested to see what he goes on to do.


5. A while ago, my shower developed a persistent drip, so after putting up with it for a bit in the hope it would go away, I decided to take another step into adulting and learn how to replace the little rubber bits inside taps. The most difficult part of it turned out to be finding a tool that would fit into the cavity and unscrew the tap fitting; I have a feeling the wall was tiled after the taps were installed, and the tiler didn't think to leave enough room. (I ended up making several trips to the hardware store in search of the right tool, and spent some time reflecting on the advantages I had in terms of time and disposable income that allowed me to persist and not give up and live with the drip.) When I did get it out, it was definitely the little rubber thing that was the culprit; the one on the hot tap was completely worn away, and when I'd replaced it (I did the cold tap too, to be on the safe side) the drip was gone. So was another problem the shower had been having where the amount of hot water would arbitrarily decide to have no connection to how much the hot tap was on, which I'd been putting up with for months on the assumption that it was down to a problem in the water heater that would be too expensive to fix. Part of why I assumed it was the heater and not the tap is that the kitchen sink has a similar problem; I recently had a go at those taps, but had to give up because the tiler left even less room and I'm not yet annoyed enough about it to go and buy yet another tool just for this one job.
pedanther: (Default)
1. A pretty slim fiction log, this month. In particular, I think this may be the first month since I started that I had no completed books to list. It's been kind of a stressful month, and the books I have on the go are mostly ones I'm reading more out of a sense of obligation than because I'm actively enjoying them, so they didn't work as a way to escape from stress. (Apart from the Discworld novel, obviously, but I'm reading that one on a schedule with a reading group, and it happens that we ended the month with one section to go.)

Although the first section of the fiction log doesn't tell the whole story, because I did read one novel-length work this month: Triptych, a Star Wars fanwork set after The Force Awakens. (This not-telling-the-whole-story is precisely why I started including novel-length fanworks in the log, of course.) It was an effective stress escape while it lasted, and comes to an emotionally satisfying conclusion (although not, I think, one that will turn out to bear much resemblance to whatever the films end up doing).


2. One of the sources of stress has been that for the past year I have been president of the brass band, a situation I have completely failed to mention here because it doesn't reflect any actual achievement on my part except being the slowest to dodge. Everybody agrees that the president is an important position that needs to be filled, but nobody in the band wants to be the person who actually fills it. I didn't want to do it even before I was pushed into it, and now that I've actually given it a go and found myself unsuited to it, I really don't want to do it. There were times -- plural -- when I was finding it so stressful that I had to talk myself down from dramatically announcing my resignation not only from the presidency but also from the band and flouncing out of the rehearsal hall, never to return. We had the AGM recently, and I managed to dodge better this time, so hopefully things will be less stressful from now on.


3. This month has also been crunch time for the annual performing arts festival, which started last weekend. We're sticking with last year's arrangement where all the singers are on one weekend and all the instrumental performances are on a second weekend, with separate adjudicators for each. The vocal weekend went really well, with the adjudicator also running a couple of good workshops. There was less going on in the experienced solo sections than usual because a couple of people who usually enter those have left town since last year. Maybe this is a sign that next year I need to act on my perennial threat to enter the solo sections myself.


4. Another thing we're getting into crunch time for is the next Rep Club production I'm involved in. I mentioned that there's an improv group going again, and we have a couple of performances coming up. What's making it interesting is that in addition to the usual sort of improv scene games, where a couple of people go on stage and improvise a single scene, we're going to be featuring a long-form improv, which will run for multiple scenes, include all the actors, and hopefully end up with some kind of comprehensible storyline pulling the whole thing together.


5. Toastmasters annual Table Topics and Humorous Speech Contests. Entered the Table Topics contest, won, advanced to Area finals, didn't win. Probably just as well; not sure if I'm going to be free for the Division finals.

Anyway, I'm thinking about letting go of Toastmasters entirely. I've advanced to a level where a person really needs to invest time and energy to keep getting something out of it -- or rather, I advanced to that level about two years ago and haven't progressed since. And the thing is, I don't think I have the time and enery to spare: I'm using it on other things that matter more to me, like the Rep Club. The last year or so, it's seemed like I've had something else on every night there's been a Toastmasters meeting, and the couple of meetings I've been to I've been very aware that I'm rusty and not making up for lost time, let alone advancing. So I think it might be time for me to acknowledge that Toastmasters has been a valuable part of my life that I've gained a lot from, but isn't something I need to keep holding on to.
pedanther: (cheerful)
1. This year the music section of the annual performing arts festival, which in previous years has been held over a weekend, was further divided into vocal and intrumental sections and held over two weekends. This came about because last year we had about three days worth of entries crammed into two days, which was stressful for everyone. This year we had three days worth of entries spread out over four days, which was a lot less fraught; we could begin and end each day at a reasonable time and still have time for proper refreshment breaks between sessions, and there was one afternoon in each weekend given over to some very well-attended workshops run by the guest adjudicators. It does mean we need to find two guest adjudicators each year instead of one, but on the other hand it gives us more options in finding them, since we don't need to find one person who's strong on both vocal and instrumental music.


2. The Strange Case of Dr. Jekyll and Mr. Hyde opens in a week. It's coming together pretty well.


3. I have been to the gaming group only once recently, as there have tended to be Jekyll & Hyde rehearsals scheduled against it. One of the X-Wing players, whose usual opponents hadn't made it, saw me wandering around at a loose end and recognised me as someone who occasionally watches them play, so he invited me to have a go. I had control of a small Rebel fleet, versus his swarm of Imperial TIE Fighters. There was an exciting moment during the battle where one of my ships was on a collision course with an asteroid, but I managed the dice rolls that converted it from "ship collides with asteroid, takes damage" to "ship hides on asteroid for a turn, takes no damage". It came down to one Rebel and one TIE fighter, but the TIE fighter won in the end. I enjoyed it okay once I started getting the hang of it, but I don't think I see myself becoming an X-Wing player who owns his own set; way too many little fiddly bits to obtain and keep track of.


4. I have finished playing through the storyline in Lego Jurassic World, and am now exploring the bits of the game that are unlocked as the storyline is completed. It's definitely more fun once the dinosaurs show up. The triceratops is still one of my favourite dinosaurs to play, probably followed by the brontosaurus. Playing as the brontosaurus is strangely relaxing, as it's so large that the camera pulls waaay out to fit it in, and the parts of the game that usually seem so important are reduced to tiny distant things going on down by the dinosaur's feet. The baby velociraptor is also surprisingly good value as a player character. (Then you get into the possibilities afforded by genetic manipulation, such as a tiny compsognathus with a headbutt as powerful as a triceratops or a t-rex's shattering roar.)

One thing that's still bothering me about it involves the distribution of character traits: there's a very large overlap between the sets "character is female", "character has a glass-shattering shriek", and "character is Agile" (can jump high and squeeze through small gaps), in a way that makes Agile often look like a consolation prize for female characters who can't really do much else. To some extent, I suppose this is a result of the game being constrained by the roles given to female characters in the original movies. One thing that can't be blamed on the movies, though, is the way that the game seems to be rubbing it in by using hot pink as the colour code for obstacles that only Agile characters can get past.


5. Fanfic rec: Shadow-Self, a retelling of the False Guinevere legend. In the usual version, King Arthur's wife is secretly replaced partway through his reign by an impostor of identical aspect, her low-born half-sister, who causes a number of problems before the switch is discovered. In this retelling, that's not quite how it goes.
pedanther: (cheerful)
1. The short play season has been and gone. This year there were two plays, with a set of song-and-dance numbers in between; I was in the song-and-dance section, and got to sing the lead part on "Poisoning Pigeons in the Park" while the rest of the troupe did their best to upstage me. The other songs we did were "There's No Business Like Show Business" and "Friends", both ensemble numbers, and "Otto Titzling", in which I made a brief and mostly mimed appearance as the villainous Phillippe de Brassiere, wearing a villainous top hat and villainous false moustache over my insufficiently villainous real moustache.

Next up is The Strange Case of Dr. Jekyll and Mr. Hyde.


2. My facial hair has gone through some variations this year. I grew out a full beard for Fagin, pruned it back to a moustache for the short play season, and am now going clean-shaven for Jekyll & Hyde. As an intermediate stage between the full beard and the moustache, just for the fun of it, I spent a week going about with Edwardian-style friendly muttonchops. I got a notable number of complimentary remarks about the look suiting me, so I may have to revisit it in future.


3. A few weeks ago, I went to the city to catch the touring professional production of Little Shop of Horrors. I found it somewhat disappointing, although I'm saying this as someone with multiple other productions to compare it to. The set design was amazing, and the whole thing was very impressive on the technical side, but a lot of the time I wasn't really feeling it on the emotional level. I think the size of the theatre was working against it; every other time I've seen Little Shop live has been in the kind of little shoebox theatre where even the back row isn't all that far from the stage. I'm also inclined to think most of the actors were struggling under the weight of the accents, which tended toward being so far over the top several of the characters were basically accents with people attached. The actor playing Seymour somehow got away with a reasonably-sized accent, and his performance did a great deal toward salvaging the whole thing.


4. I apparently didn't mention that after catching up with Now You See Me on home video, I went to see Now You See Me 2 in the cinema. It's probably not an objectively good movie, but I found it entertaining enough, even if I didn't quite believe it when the plot forced the protagonists to create in a matter of days the kind of stunt it took them months to set up in the first movie. Interestingly, it at least made some attempt to address some of the things that didn't quite make sense in the first movie regarding character motivations and such, which I appreciated even if some of the answers were also among the parts of the movie I didn't quite believe. One of the comments I made about the first movie has become quite amusing in retrospect, for reasons I can't really describe without massive spoilers.


5. This week we had the drama section of the annual performing arts festival. As usual, it was mostly students, but this year there was an actual adult entrant. (From Toastmasters -- he did a poetry recital and a monologue -- not from either of the theatre groups. Although we did hear from an adult Rep Club member who hadn't seen any promotional material until after the entry deadline had already passed. We really need to work on our outreach to the theatre groups.) The student entries included a collection of short group pieces the students had created themselves as part of their coursework, which tended to be dealing with Issues like self-esteem and coping with loss and so on. One of the highlights of the evening was a transgender coming-of-age story where the protagonist was represented by two performers, one playing his image of himself and the other playing his parents' image of him. Which sounds a bit weird, but the execution was really impressive. One of the actors involved, who also did a stand-out monologue, took out the top prize at the end of the evening.
pedanther: (cheerful)
1. In July of 2013, I set out to re-read all the novels and short stories by Sharon Lee and Steve Miller set in the Liaden universe (sixteen novels, and considerably more short stories), one chapter at a time in chronological order, blogging my progress as a way to keep myself on track. I have now achieved that goal, but the blog will be continuing for a bit longer while I read the new novel that came out while I was re-reading the old ones. (That also buys me some time to finish up the concluding post on Lessons From This Project, or What You Can Learn From My Mistakes.)


2. For reasons that I may get around to talking about later, I have started studying German through Duolingo. (I did German for three years in high school, but most of it has leaked away since; what I usually say is that I can reliably manage "Hello", "Goodbye", and "I'll have a slice of the black forest cake, please".)

I was amused when one of the example sentences in the first lesson on nominative pronouns was "Ist das deine Kuh?" ("Das ist nicht meine Kuh. Es spreche Neigh. Das ist ein Pferd.")


3. The annual local performing arts festival is over for another year. Once again, I emceed all of it except for the session where I was playing with the brass band. I was pretty wrung out by Sunday evening. (The music section of the festival runs for three whole days, from Friday through Sunday. The drama section fluctuates a lot, depending on how many of the schools have active drama programs and choose to enter that year, but this year we had enough for a drama evening on the Monday, with some pretty impressive work entered. It strikes me that there is perhaps more outreach needed when the city has two theatre groups and neither ever produces any entries.)


4. I completed NaArMaMo this year, and found it very friendly and encouraging. I have posted my daily artworks on my Tumblr. (See if you can spot which one I did on Sunday night after the performing arts festival.)


5. Signal boosting: Humble Bundle offers bundles of games, ebooks, and other electronic products for special prices with proceeds going to charity. They're currently, but not for much longer, offering a bundle of Star Wars audio books which includes, if you pay at least $15, all three parts of the Star Wars radio series.
pedanther: (cheerful)
1. Rehearsals for The Duchess of Coolgardie continue. We're at the point now where we've learned our parts enough to relax into them somewhat and explore the possibilities for enriching them, instead of getting stuck on worrying about whether we'll have our lines down in time for opening. Last weekend we had some workshops with a couple of professional theatre people our director knows, which inspired some of the cast to lift their game (including, let's be real, me). There will be another set of workshops this weekend, which will hopefully have a similarly improving effect.


2. The other local community theatre group's production of The Wizard of Oz opened today, and I went to the opening night. I enjoyed it a lot, and although it had some of the weak points one usually gets when community theatre attempts big-budget spectacle - particularly since they were basing it on the movie rather than a version designed for live theatre - there were some moments that were genuinely magical. (On which note, they got major points from me for the way they handled the bit where the ruby slippers disappear off the Wicked Witch's feet and appear on Dorothy's.)


3. The annual performing arts festival has been and gone. I was on the organising committee again this year, and acted as MC for most of it, although I had to skip out for part of one afternoon to go to a Duchess rehearsal. Annoyingly, the part I missed was the part with all the character vocal sections, which is always one of the highlights for me. There was plenty else to enjoy in the parts I was present for, though. It ended on a high, with the final session of the final day featuring various vocal ensembles doing impressive harmony work.

Weirdly, I had the old show-about-to-open nightmare a few days after the performing arts festival was over. Didn't bother me much, I know it too well by now, but the timing was odd.


4. Another thing that's been and gone is the annual Toastmasters Humorous Speech Contest and Table Topics Contest. I usually take part in the Table Topics contest, but this year it was another victim of being scheduled against a Duchess rehearsal.


5. I did go to see Guardians of the Galaxy before the local run finished. I enjoyed it overall, but there was room for improvement in several areas: most blatantly, a number of skeevy jokes that I think it could have done perfectly well without.
pedanther: (cheerful)
1. Best thing that's happened to me recently: waking up to a flurry of Teaspoon notifications and the news that one of my fanfics has been recced on [livejournal.com profile] calufrax. Made my day.


2. All that emceeing I did at Toastmasters in July and August stood me in good stead in the first weekend of September. I was volunteering at the annual performing arts festival this year, and I ended up emceeing most of it because none of the other volunteers were comfortable in that role. One of the sections I didn't emcee was the evening they did bands, ensembles, etc., because I was performing; the brass band did the usual, and this year several groups of band members also entered as ensembles (the ensemble I was in was beaten by the ensemble I wasn't in). The Character Vocal section was once again free of the scourge of Those Same Three Disney Songs; I'm pretty sure now that that was the work of one particular singing teacher who has now left town, though I kept forgetting to ask the more senior volunteers if they knew for sure. Being a volunteer, I saw all the parts of the festival I often don't bother with, which I think was a net plus; if I'd skipped the piano sections as I usually do, I'd have missed out on this year's trophy winner, who played a Clementi sonatina, a Beethoven eccosaise, and a piano solo version of the theme from Pirates of the Caribbean which featured lots of fancy fingerwork and ended with a dramatic chord that he played by leaping up and sitting on the piano.


3. My Re-Reading Liad project progresses. Tomorrow will see the conclusion of Crystal Dragon, then there's a week of short stories (mostly Tales of Moonhawk and Lute, slightly complicated by the authors recently releasing a new one) before beginning on Balance of Trade.

It's been interesting re-reading these books. I've been noticing details, and having reactions, that I didn't the first time I read them. Having to find something to say about each chapter, I'm paying more attention to details, and spreading them out over two months (the first time, I bolted them in something more like two days) makes a difference to how some things affect me. Although I often do notice new details and have new experiences the first time I re-read a book, even when I bolt it again, so it'll be interesting to see if anything changes when I get up to the books in the series that I've already re-read several times.

(In the mean time, I'm learning new things, and not just about things in the books: for instance, a passing remark led to me learning about the idea that a galaxy's spiral arms aren't rigid collections of stars, but standing waves that individual stars move into and out of over time. Wikipedia's article has some nifty animations.)


4. Another nifty thing involving spirals: Akiyoshi Kitaoka's blue-green spiral illusion.


5. The Hidden Almanac is what happens when an award-winning dark fantasy writer and cartoonist (namely Ursula Vernon, author of Digger and Dragonbreath and co-host of the podcast Kevin and Ursula Eat Cheap) hears too many people describing Welcome to Night Vale as "A Prairie Home Companion meets H. P. Lovecraft" and starts wondering what would have happened if Lovecraft had met Garrison Keillor's other radio show, The Writer's Almanac, instead.

There are new episodes three times a week, written by Ursula Vernon and performed by Kevin Sonney, the other half of Kevin and Ursula Eat Cheap; in each five minute episode, Reverend Mord describes a couple of events that occurred on this date in history, profiles a saint whose feast day it is, and offers some seasonal gardening tips. (The events are strange and the saints eccentric. The gardening tips, at this time of year, largely revolve around Ways of Getting Rid of All That Zucchini; even in a world where people spontaneously explode into swarms of butterflies, some things never change.)
pedanther: (Default)
1. The season of one-act plays opens tomorrow, and my first attempt at directing will be exposed to a paying audience. I'm not worried; the play's come together really well, it got a good response from the people who saw it at the dress rehearsals, and in the unlikely event that the proper audience is less appreciative I have Oscar Wilde's bon mot ready to hand.

The fact that I'm not worried didn't stop me having the usual between-final-rehearsal-and-opening-night-mare last night. Interestingly, it was the usual "on stage and forgotten my part" version, even though I'm directing and not acting this time; I suppose since I've never directed before, my unconscious doesn't have any raw material to craft an appropriate horror out of.


2. The annual performing arts festival was last weekend. (The music section; the drama section will be in a few weeks, after the one-acts are done with.) What with one thing and another, including rehearsals for the one-acts, I didn't make it to any of the sessions except the one in which I played in the brass band. I didn't even stick around long enough after we played to find out the results, but I expect we did as well as we usually do. I completely missed the Character Vocal section, which is the bit I look forward to all year. According to the programme, that means I missed out on someone in the under-14 division attempting my solo number from Chicago; I have no idea whether that's something to regret or be thankful for. I also note the unusual fact that nobody sang "A Whole New World", "Beauty and the Beast", or "Colors of the Wind" this year. I've always suspected there was a particular singing teacher with a partiality; I wonder if somebody's left town?


3. I have seen the new Doctor Who episode. The gap between a new Doctor Who episode airing in Britain and in Australia has been gradually decreasing: at first, the ABC wouldn't begin running a new season until the whole thing had run on the BBC, then they started airing new episodes with only a few weeks delay, then it got down to one week. It's probably stuck at one week as long as the BBC and ABC both prefer showing Doctor Who on Saturday evenings (the ABC can't show it on the same Saturday as the BBC because Saturday evening in Australia is Saturday morning in Britain, so Australia would be getting it first) - but this year, new episodes are being made available for viewing on the ABC's web site less than 24 hours after they debut in Britain. So I have seen the new episode, even though it hasn't actually aired in Australia yet.

I'm not going to do a reaction thingy, partly out of respect for [livejournal.com profile] lost_spook's expressed intention not to read such things. (Probably a sensible attitude. Certainly some of the reactions I've been reading have made me wish I'd adopted a similar resolution.)


4. I assume everybody on my friendslist who's interested in the Liaden novels already knows that the latest one just came out in hardcover (and has probably already read the e-book), and that all the novels - including the latest one - have just been released as Audible.com audiobooks. Just in case, though, details are available here.


5. I've occasionally pondered the idea of an alarm clock that matches itself to your sleep cycles, so that the alarm goes off when you're in a position to wake up easily, and not when you're in the middle of a deep sleep. I'd always assumed that this would require being wired to the clock with some kind of complicated and impractical sensor to detect out where in the cycle you were. Apparently I was wrong: a lot of people can get by with assuming an average sleep cycle duration, and get the same effect with a normal alarm clock and a bit of mental arithmetic. Somebody recently pointed me to http://sleepyti.me/, which has an explanation of the math, and automatic calculators for both directions (one suggests good times to go to bed, given what time your alarm's set for, the other good times to set your alarm for, given when you plan to go to bed). I've been using the system for nearly a week, and getting good results. (Especially considering that I'd previously been giving serious thought to giving up on the alarm clock entirely because I slept through it so often.)
pedanther: (Default)
This evening there was a concert to showcase the arts centre and the various local musical groups and activities. The line-up included a couple of bands, a couple of choirs, a music teacher solo and in a duet with one of her students, and various other solos, duets, etc. (I was in the brass band.)

It was nice enough, but I'm not sure how successful it was as a showcase - subtract the performers and their relatives, and there wasn't very much audience left over.

***

This reminds me that I haven't written the entry I was planning to about the annual performing arts festival.
Read more... )
The main part of the performing arts festival is the music sections, which take up a whole weekend, but there's also a drama section, which takes one evening a few weeks later.
Read more... )
One of the reasons I went to the drama night this year was that the adjudicator was Raymond Omodei, who was Director-in-Residence at the Repertory Club for a few months this year. Adjudicating the drama night was one of the incidental things he did as Director-in-Residence. The main thing was directing a play, The Playboy of the Western World.

And there's a whole 'nother entry I could write about that, but I don't think I'll do it right now. This is long enough already.

Profile

pedanther: (Default)
pedanther

May 2025

S M T W T F S
     123
4 5678910
11121314151617
18 192021222324
25262728293031

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 25th, 2025 04:33 pm
Powered by Dreamwidth Studios